The Locator -- [(subject = "ART / History / Renaissance")]

27 records matched your query       


Record 9 | Previous Record | MARC Display | Next Record | Search Results
Title:
The chiaroscuro woodcut in Renaissance Italy / Naoko Takahatake ; with contributions by Jonathan Bober, Jamie Gabbarelli, Antony Griffiths, Peter Parshall, Linda Stiber Morenus.
Publisher:
Los Angeles County Museum of Art ;
Copyright Date:
2018
Description:
287 pages : illustrations ; 29 cm
Subject:
Wood-engraving, Italian--16th century--Exhibitions.
Wood-engraving, Renaissance--Italy--Exhibitions.
Chiaroscuro--Exhibitions.
ART / History / Renaissance.
ART / European.
ART / Prints.
Chiaroscuro.
Wood-engraving, Italian.
Wood-engraving, Renaissance.
Italy.
1500-1599
Exhibition catalogs.
Other Authors:
Takahatake, Naoko, 1977-
Bober, Jonathan.
Gabbarelli, Jamie.
Griffiths, Antony.
Parshall, Peter.
Morenus, Linda Stiber.
Los Angeles County Museum of Art, host institution. host institution.
National Gallery of Art (U.S.), host institution. host institution.
Notes:
"Published in conjunction with the exhibition The Chiaroscuro Woodcut in Renaissance Italy. This exhibition was organized by the Los Angeles County Museum of Art, in association with the National Gallery of Art. Exhibition itinerary: Los Angeles County Museum of Art: June 3-September 16, 2018 National Gallery of Art, Washington: October 14, 2018-January 20, 2019"-- Provided by publisher. Includes bibliographical references.
Summary:
"The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccol Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance"-- Provided by publisher.
ISBN:
3791357395
9783791357393
OCLC:
(OCoLC)1004914602
LCCN:
2018005386
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

Initiate Another SILO Locator Search

This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.