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03972aam a22005538i 4500 001 EE632D08E96D11E8978F920F97128E48 003 SILO 005 20181116010210 008 180202s2018 cau bc 000 0 eng 010 $a 2018005386 020 $a 3791357395 020 $a 9783791357393 035 $a (OCoLC)1004914602 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d OCLCA $d AVA $d SILO 042 $a pcc 043 $a e-it--- 050 00 $a NE1300.8.I8 $b C49 2018 082 00 $a 769.945/07479494 $2 23 084 $a ART048000 $a ART015030 $a ART048000 $2 bisacsh 245 04 $a The chiaroscuro woodcut in Renaissance Italy / $c Naoko Takahatake ; with contributions by Jonathan Bober, Jamie Gabbarelli, Antony Griffiths, Peter Parshall, Linda Stiber Morenus. 263 $a 1807 264 1 $a Los Angeles : $b Los Angeles County Museum of Art ; $c 2018. 300 $a 287 pages : $b illustrations ; $c 29 cm 520 $a "The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccol Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance"-- $c Provided by publisher. 500 $a "Published in conjunction with the exhibition The Chiaroscuro Woodcut in Renaissance Italy. This exhibition was organized by the Los Angeles County Museum of Art, in association with the National Gallery of Art. Exhibition itinerary: Los Angeles County Museum of Art: June 3-September 16, 2018 National Gallery of Art, Washington: October 14, 2018-January 20, 2019"-- Provided by publisher. 504 $a Includes bibliographical references. 650 0 $a Wood-engraving, Italian $y 16th century $v Exhibitions. 650 0 $a Wood-engraving, Renaissance $z Italy $v Exhibitions. 650 0 $a Chiaroscuro $v Exhibitions. 650 7 $a ART / History / Renaissance. $2 bisacsh 650 7 $a ART / European. $2 bisacsh 650 7 $a ART / Prints. $2 bisacsh 650 7 $a Chiaroscuro. $2 fast $0 (OCoLC)fst00854002 650 7 $a Wood-engraving, Italian. $2 fast $0 (OCoLC)fst01179577 650 7 $a Wood-engraving, Renaissance. $2 fast $0 (OCoLC)fst01179591 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 648 7 $a 1500-1599 $2 fast 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Takahatake, Naoko, $d 1977- 700 1 $a Bober, Jonathan. 700 1 $a Gabbarelli, Jamie. 700 1 $a Griffiths, Antony. 700 1 $a Parshall, Peter. 700 1 $a Morenus, Linda Stiber. 710 2 $a Los Angeles County Museum of Art, $e host institution. $e host institution. 710 2 $a National Gallery of Art (U.S.), $e host institution. $e host institution. 941 $a 1 952 $l OVUX522 $d 20191213012530.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=EE632D08E96D11E8978F920F97128E48Initiate Another SILO Locator Search