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03497aam a2200457 i 4500 001 F158707E1DF111EDA8BEF4A423ECA4DB 003 SILO 005 20220817010036 008 201026t20212021enka b 001 0 eng 010 $a 2020046970 020 $a 1108840132 020 $a 9781108840132 035 $a (OCoLC)1240262768 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d UKMGB $d YDX $d OCLCO $d HUL $d OCLCO $d SILO 042 $a pcc 050 00 $a PS228.S64 $b T43 2021 082 00 $a 810.9/356 $2 23 100 1 $a Teague, Jessica, $d 1982- $e author. 245 10 $a Sound recording technology and American literature : $b from the phonograph to the remix / $c Jessica E. Teague. 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2021. 300 $a xi, 248 pages : $b illustrations ; $c 24 cm. 490 1 $a Cambridge studies in American literature and culture ; $v [187] 520 $a "When Gertrude Stein published Three Lives, her first book-length work, in 1909, readers were struck by her peculiar, repetitive style. As one dust jacket review put it, Stein's prose was like a "stubborn phonograph." Taken in passing, the comparison might seem unremarkable, but in 1909, when the phonograph was still a relatively new technology, the dust jacket remark penned by Georgiana Goddard King (a Reader in English at Bryn Mawr College) reveals how at least one early reader heard Gertrude Stein. According to King, Stein had "pushed the method of realism as far as it would go," and "the patient iteration, the odd style, with all its stops and starts, like a stubborn phonograph, are a part of the incantation. The reader must take it or leave it,-but always, taken or left, it remains astonishing.""-- $c Provided by publisher. 500 $a Series numbering from publisher's website, viewed October 8, 2021. 500 $a Based on the author's dissertation (doctoral)--Columbia University, 2013. 504 $a Includes bibliographical references and index. 505 0 $a Introduction. Resonant Reading: Listening to American Literature After the Phonograph -- Ears Taut to Hear: John Dos Passos Records America -- Ethnographic Transcription and the Jazz Auto/Biography: Alan Lomax, Jelly Roll Morton, Zora Neale Hurston, and Sidney -- Press Play: Jack Kerouac, William S. Burroughs, and the Tape Recorder -- Stereophonic Poetics of Langston Hughes and Amiri Baraka -- From Cut-up to Mashup: Literary Remix in the Digital Age, feat. Kevin Young and Chuck Palahniuk -- A Post-Electric Postscript: Recording and Remix Onstage. 648 7 $a 1900-1999 $2 fast 650 0 $a American literature $y 20th century $x History and critcism. 650 0 $a Sound in literature. 650 0 $a Literature and technology $x History. 650 0 $a Sound $x Recording and reproducing. 650 7 $a Literature and technology. $2 fast $0 (OCoLC)fst01000104 650 7 $a Sound in literature. $2 fast $0 (OCoLC)fst01127004 650 7 $a Sound $x Recording and reproducing. $2 fast $0 (OCoLC)fst01126957 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Teague, Jessica, 1982- $t Sound recording technology and American literature from the phonograph to the remix $d Cambridge, UK ; New York : Cambridge University Press, 2021. $z 9781108879002 $w (DLC) 2020046971 830 0 $a Cambridge studies in American literature and culture ; $v 187. 941 $a 1 952 $l OVUX522 $d 20231117012055.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F158707E1DF111EDA8BEF4A423ECA4DBInitiate Another SILO Locator Search