The Locator -- [(title = "Uprising")]

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02754aam a2200313Ii 4500
001 F24EA58CE96D11E8978F920F97128E48
003 SILO
005 20181116010210
008 180515t20182018gw a     b    000 0 eng d
020    $a 9783956793097
020    $a 3956793099
035    $a (OCoLC)1035395951
040    $a YDX $b eng $e rda $c YDX $d AFU $d OHX $d OCLCF $d VVPCS $d ERASA $d SILO
050  4 $a NX180.I57 $b K46 2018
082 04 $a 700.411
100 1  $a Kholeif, Omar.
245 10 $a Goodbye, World! : $b looking at art in the digital age / $c Omar Kholeif.
260    $a Berlin, Germany : $b Sternberg Press, $c [2018]
300    $a 211 pages : $b illustrations (chiefly color) ; $c 20 cm
504    $a Includes bibliographical references (pages 199-200).
505 00 $t Toward a new digital metabolism. $t Looking at art after the internet -- $t The new self -- $t Touch me -- $t Don't control me -- $t Play with me -- $t Don't shoot me; I'm ready for an uprising -- $t Toward a new digital metabolism.
520 8  $a The way we see the world has changed drastically since NASA released the ?blue marble? image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger?s Ways of Seeing and Alvin Toffler?s Future Shock, this book?part memoir, part critical analysis?should prove essential for anyone interested in the changing world of the internet.
650  0 $a Art and the Internet.
650  0 $a Internet $x Social aspects.
650  7 $a Art and the Internet. $2 fast $0 (OCoLC)fst01739207
650  7 $a Internet $x Social aspects. $2 fast $0 (OCoLC)fst01766793
941    $a 1
952    $l OVUX522 $d 20191217022930.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F24EA58CE96D11E8978F920F97128E48

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