No exit and Waiting for Godot: performances in contrast / Lois Gordon PART II -- Confessional voice: Medea's brutal imagination / Rena Fraden -- Emotional contraband: prison as metaphor and meaning in U.S. Latina drama / Tiffany Ana Lopez -- Seeing ethnicity: the impact of race and class on the critical reception of Miguel Piñero's Short eyes / Fiona Mills -- PART II -- On prisons in the United States: extract from a speech delivered to the confederation of analytical psychologists, London, 25 June 1999 / Harold Pinter -- Harold Pinter's prison house: the screenplay of Kafka's The trial / Ann C. Hall -- Harold Pinter's The handmaid's tale: freedom, prison, and a hijacked script / Christopher C. Hudgins -- "World of bodies": performing flesh in Marat/Sade / Pamela Cooper -- Disposal: William Inge's abject drama / Robert F. Gross -- "In dark corners": masculinity and art in Tennessee Williams's Not about nightingales / Thomas Fahy -- Physical prisons: Naomi Wallace's drama of captivity / Claudia Barnett -- No exit and Waiting for Godot: performances in contrast / Lois Gordon
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.