Includes bibliographical references (pages 351-360) and index.
Summary:
This book offers a detailed analytical study of Brahms' Piano Concerto No. 2, Op. 83. It develops a theoretical model for analyzing nineteenth-century instrumental forms, which elucidates Op. 83 in the context of Brahms' concerted works, their precedents in the broader intertextual network of post-classical piano concerti, and their subsequent influence on concerti from Reger to Schoenberg.
Series:
Analysis in Context. Leuven Studies in Musicology ; volume 4
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.