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03537aam a2200493 i 4500 001 4026A58A072811ED93C2E7E557ECA4DB 003 SILO 005 20220719010102 008 190927t20202020pau b 001 0 eng 010 $a 2019042568 020 $a 1684482224 020 $a 9781684482221 020 $a 1684482216 020 $a 9781684482214 035 $a (OCoLC)1125080226 040 $a DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d UKMGB $d YDX $d GZN $d GUA $d OCL $d DLC $d OCLCO $d SILO 042 $a pcc 043 $a e-sp--- 050 00 $a PQ6147.K85 $b V38 2020 082 00 $a 863/.6409 $2 23 100 1 $a Vater, Katie J., $e author. 245 10 $a Between market and myth : $b the Spanish artist novel in the post-transition, 1992-2014 / $c Katie J. Vater. 264 1 $a Lewisburg, Pennsylvania : $b Bucknell University Press, $c [2020] 300 $a v, 215 pages ; $c 23 cm. 490 1 $a Campos Ibericos: Bucknell studies in Iberian literatures and cultures 520 $a "In its early transition to democracy following Franco's death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in "cultural tourism" as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels-about artists and art historians-have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors-Julio Llamazares, AÌngeles Caso, Clara UsoÌn, Almudena Grandes, Nieves Herrero, Paloma DiÌaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas-whose largely realist novels portray a clash between the myth of artistic freedom and artists' willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 199-209) and index. 505 0 $a The weight of fame: memory in two contemporary KuÌnstlerromane by AÌngeles Caso and Julio Llamazares -- The postfeminist turn in the artist novel by women: the case of Almudena Grandes, Clara UsoÌn, and Nieves Herrero -- The art historian as neoliberal subject in Lourdes Ortiz's Las manos de VelaÌzquez and Paloma DiÌaz-Mas's El suenÌo de Venecia -- Affiliation anxiety: avant-garde identity at dOCUMENTA(13) in Enrique Vila-Matas's Kasselno invita la loÌgic -- Conclusion. 648 7 $a 1900-2099 $2 fast 650 0 $a Spanish fiction $y 21st century $x History and criticism. 650 0 $a Spanish fiction $y 20th century $x History and criticism. 650 0 $a KuÌnstlerromane $z Spain $x History and criticism. 650 0 $a Artists in literature. 650 0 $a Art in literature. 650 7 $a KuÌnstlerromane. $2 fast $0 (OCoLC)fst01200208 650 7 $a Art in literature. $2 fast $0 (OCoLC)fst00815566 650 7 $a Artists in literature. $2 fast $0 (OCoLC)fst00817652 650 7 $a Spanish fiction. $2 fast $0 (OCoLC)fst01128273 651 7 $a Spain. $2 fast $0 (OCoLC)fst01204303 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a Campos Ibéricos. 941 $a 1 952 $l OVUX522 $d 20231117013848.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4026A58A072811ED93C2E7E557ECA4DBInitiate Another SILO Locator Search