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03813aam a22005418i 4500 001 9B9FCABEFC8011EE9ABF7B513DECA4DB 003 SILO 005 20240417010124 008 230926s2024 iau b 001 0 eng 010 $a 2023026383 020 $a 1609389395 020 $a 9781609389390 035 $a (OCoLC)1407032858 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCO $d YDX $d BDX $d NUI $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PS379 $b .B6746 2024 082 00 $a 813/.5409 $2 23/eng/20231031 100 1 $a Brier, Evan, $e author. 245 10 $a Novel competition : $b American fiction and the cultural economy, 1965-1999 / $c Evan Brier. 264 1 $a Iowa City : $b University of Iowa Press, $c 2024. 300 $a 242 pages ; $c 23 cm 490 1 $a The new American canon 520 $a "Novel Competition describes the literary and institutional effort to make the American novel matter after 1965. During this era, Hollywood movies, popular music, and other forms of mass-produced culture vied with novels for a specific kind of prestige - often figured as "importance" or "relevance" - that had mostly been attached to novels in previous decades. This trans-media competition, Brier argues, is a crucial but largely unacknowledged event in the literary and economic history of the American novel. In the face of it, the novel lost some of the symbolic specialness it formerly held. That loss, in turn, generated not just a much-discussed rhetoric of crisis but also a host of unexamined, intertwined effects on both literary form and the business of novel production. Drawing on a range of novels and on the archives of publishers, editors, agents, and authors, Novel Competition shows how fiction's declining position in a transformed "popular-prestige" economy reshaped the post-1965 American novel as art form, cultural institution, and commodity"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction: Devaluing the novel -- Capote's place: New York, Kansas, and the novel -- Unliterary history and literary disbelief: "real Black publishing" at Random House -- The mattering crisis: literary responses to total entertainment -- Bigness and the novel: from the Middle East to the American West -- Full disclosure: novels, conglomerates, and the editor as hero -- Epilogue: Memoirs, television, and how art matters. 648 7 $a 1900-1999 $2 fast 650 0 $a American fiction $y 20th century $x History and criticism. 650 0 $a Fiction $x History $z United States $x History $y 20th century. 650 0 $a American literature $x History $x History $y 20th century. 650 0 $a Literature and society $z United States $x History $y 20th century. 650 0 $a Mass media and literature $z United States $x History $y 20th century. 650 7 $a American fiction $2 fast $0 (OCoLC)fst00807048 650 7 $a American literature $x Publishing $2 fast $0 (OCoLC)fst00807230 650 7 $a Fiction $x Publishing $2 fast $0 (OCoLC)fst00923744 650 7 $a Literature and society $2 fast $0 (OCoLC)fst01000096 650 7 $a Mass media and literature $2 fast $0 (OCoLC)fst01011353 651 7 $a United States $2 fast $0 (OCoLC)fst01204155 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History $2 fast $0 (OCoLC)fst01411628 655 7 $a Literary criticism $2 fast $0 (OCoLC)fst01986215 655 7 $a Literary criticism. $2 lcgft 655 7 $a Critiques litteÌraires. $2 rvmgf $0 (CaQQLa)RVMGF-000001939 776 08 $i Online version: $a Brier, Evan. $t Novel competition $d Iowa City : University of Iowa Press, 2024 $z 9781609389406 $w (DLC) 2023026384 830 0 $a New American canon 941 $a 1 952 $l OVUX522 $d 20240517012150.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9B9FCABEFC8011EE9ABF7B513DECA4DBInitiate Another SILO Locator Search