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02972aam a2200397Mi 4500 001 1FA664642E9411E9B5CB1E4197128E48 003 SILO 005 20190212010150 008 171006t20172017it a bc 000 0 eng d 020 $a 8880560042 020 $a 9788880560043 035 $a (OCoLC)1006424402 040 $a C3L $b eng $e rda $c C3L $d YDX $d OCLCO $d ZCU $d ERASA $d OCLCF $d HLS $d YDX $d NUI $d SILO 041 1 $a eng $h rus 050 4 $a PN1998.3.E34 $b S46 2017 082 04 $a 791.4302/33092 $2 23 082 14 $a 791 $2 14 245 00 $a Sergei Eisenstein and the anthropology of rhythm / $c Marie Rebecchi and Elena Vogman ; in collaboration with Till Gathmann. 264 1 $a [Rome] : $b Nero, $c [2017] 300 $a 127 pages : $b illustrations (some color) ; $c 24 cm 500 $a Published on the occasion of an exhibition held at the Nomas Foundation, Rome, Italy, September 20, 2017-January 19, 2018. 500 $a Sergei Eisenstein (1898-1948). 500 $a 700 copies printed. 546 $a Text in English; includes extracts from S. Eisentein's diary translated from Russian. 504 $a Includes bibliographical references. 520 8 $a The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.0Organic and mechanical, regular and irregular rhythms are not merely formal or temporal aspects of experience: they can become instruments of anthropology. Pursuing both the aesthetic and the epistemic paths of this hypothesis, the book reconstructs Eisenstein?s anthropological method through a series of archival materials: drawings and working diaries?published here for the first time?, and film footage. By placing Eisenstein?s method in a constellation between the surrealist aesthetics of the French journal Documents on one side, and the anthropological culture of post-revolutionary Mexico on the other, it explores the modern experience of looking alterity in the face. Superposition of times, connection of rhythms: historical, cinematic, and physiological. It is in this way, through rhythm, that one temporal dimension can become the medium of another, and the body itself the medium of a repressed history. 600 10 $a Eisenstein, Sergei, $d 1898-1948 $v Exhibitions. 600 17 $a Eisenstein, Sergei, $d 1898-1948. $2 fast $0 (OCoLC)fst00030133 650 0 $a Motion pictures $x Aesthetics $v Exhibitions. 650 7 $a Motion pictures $x Aesthetics. $2 fast $0 (OCoLC)fst01027288 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 12 $a Eisenstein, Sergei, $d 1898-1948. $t Works. $k Selections. 710 2 $a Nomas Foundation, $e host institution. 941 $a 1 952 $l OVUX522 $d 20191120031716.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1FA664642E9411E9B5CB1E4197128E48Initiate Another SILO Locator Search