833 records matched your query
04072aam a2200385 i 4500 001 EB910902477411EC81CA9FE82DECA4DB 003 SILO 005 20211117010121 008 201123s2021 maua b 001 0 eng 010 $a 2020053165 020 $a 1625345666 020 $a 9781625345660 020 $a 1625345658 020 $a 9781625345653 035 $a (OCoLC)1203958843 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d UKMGB $d YDX $d PAU $d YUS $d RB0 $d SILO 042 $a pcc 043 $a n-usn-- 050 00 $a ML3551 $b .C87 2021 100 1 $a Curren, Thomas S., $e author. 245 10 $a I believe I'll go back home : $b roots and revival in New England folk music / $c Thomas S. Curren. 246 3 $a I believe I will go back home 264 1 $a Amherst : $b Bright Leaf, an imprint of University of Massachusetts Press, $c [2021] 300 $a xii, 224 pages : $b illustrations ; $c 22 cm 504 $a Includes bibliographical references and index. 520 $a "Between 1959 and 1968, New England saw a folk revival emerge in more than fifty clubs and coffeehouses, a revolution led by college dropouts, young bohemians, and lovers of traditional music that renewed the work of the region's intellectuals and reformers. From Club 47 in Harvard Square to candlelit venues in Ipswich, Martha's Vineyard, and Amherst, budding musicians and hopeful audiences alike embraced folk music, progressive ideals, and community as alternatives to an increasingly toxic consumer culture. While the Boston-Cambridge Folk Revival was short-lived, the youthful attention that it spurred played a crucial role in the civil rights, world peace, and back-to-the-land movements emerging across the country. Fueled by interviews with key players from the folk music scene, I Believe I'll Go Back Home traces a direct line from Yankee revolutionaries, up-country dancers, and nineteenth-century pacifists to the emergence of blues and rock 'n' roll, ultimately landing at the period of the folk revival. Thomas S. Curren presents the richness and diversity of the New England folk tradition, which continues to provide perspective, inspiration, and healing in the present day"--Provided by publisher. 505 00 $t Contra Dance at Newport, 1965.-- Machine generated contents note $g Appendix Four $t When First unto This Country Settlement and Song in New England, 1600-1820 -- $g ch. Three $t There's a Good Time Corning Reform in New England, 1810-1900 -- $g ch. Four $t The Sound of Young America America Westward and Southward, 1800-1900 -- $g ch. Five $t Down in the Groove Recorded Music in America, 1890-1960 -- $g ch. Six $t Rolling Home to Old New England The Beginnings of the New England Folk Revival, 1940-1962 -- $g ch. Seven $t Tenting Tonight oil the Banks of the Charles Boston and Cambridge, 1960-1963 -- $g ch. Eight $t The Lay of the Land folk Music from across the New England Countryside -- $g ch. Nine $t The Hour That the Ship Comes In Boston and Cambridge, 1963-1964 -- $g ch. Ten $t The Chords of Fame Boston and Cambridge, 1965-1966 -- $g ch. Eleven $t Stayed Around This Old Town Too Long The Revival Tosses Along, 1967-1968 -- $g ch. Twelve $t Where -- Did You Come From, Where Do You Go? Winning Back Our Own Hearts and Minds -- $t VOICES -- $g Appendix One $t Coffeehouses in. New England, 1958-1968 -- $g Appendix Two $t Music Recordings in the Folk New England Collection, 1948-1968 -- $g Appendix Three $t A Sampler of Songs from the Folk Revival -- $g Appendix Four $t Contra Dance at Newport, 1965.-- Machine generated contents note 650 0 $a Folk music $z New England $x History and criticism. 650 7 $a Folk music. $2 fast $0 (OCoLC)fst00929383 651 7 $a New England. $2 fast $0 (OCoLC)fst01241913 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Curren, Thomas S., $t I believe I'll go back home $d Amherst : Bright Leaf, an imprint of University of Massachusetts Press, 2021. $z 9781613768181 $w (DLC) 2020053166 941 $a 1 952 $l OVUX522 $d 20231117022848.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=EB910902477411EC81CA9FE82DECA4DBInitiate Another SILO Locator Search