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05391aam a2200433 i 4500 001 C88C495268DD11EA9C5A9E4D97128E48 003 SILO 005 20200318010024 008 190129t20192019nyuag b 000 0 eng 010 $a 2019004326 020 $a 0199347786 020 $a 9780199347780 020 $a 0199347778 020 $a 9780199347773 035 $a (OCoLC)1084620054 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d ERASA $d OCLCQ $d INU $d TJC $d PSC $d SILO 042 $a pcc 050 00 $a ML3850 $b .P55 2019 245 04 $a The philosophy of rhythm : $b aesthetics, music, poetics / $c edited by Peter Cheyne, Andy Hamilton, and Max Paddison. 264 1 $a New York, NY : $b Oxford University Press, $c [2019] 300 $a xxi, 415 pages : $b illustrations, music ; $c 26 cm 504 $a Includes bibliographical references and index. 505 00 $t Hearing it right : rhythm and reading / $r John Holliday. $t Part 1 : $t Movement and stasis. $t Dialogue on rhythm : entrainment and the dynamic thesis / $r Andy Hamilton, David Macarthur, Roger Squires, Matthew Tugby, and Rachael Wiseman (compiled and edited by Andy Hamilton) ; $t Rhythm and movement / $r Matthew Nudds ; $t The ontology of rhythm / $r Peter Simons ; $t "Feeling the beat" : multimodal perception and the experience of musical movement / $r Jenny Judge ; $t Dance rhythm / $r Aili Bresnahan -- $t Part II : Emotion and expression. $t The life of rhythm : Dewey, relation perception, and the "cumulative effect" / $r Garry L. Hagberg ; $t Rhythm, preceding its abstraction / $r Deniz Peters ; $t Mozart's "dissonance" and the dialectic of language and thought in classical theories of rhythm / $r Michael Spitzer ; $t Rhythm and popular music / $r Alison Stone ; $t Rhythms, resemblance, and musical expressiveness / $r Ted Gracyk -- $t Part III : $t Entrainment and the social dimension. $t Metric entrainment and the problem(s) of perception / $r Justin London ; $t Entrainment and the social origin of musical rhythm / $r Martin Clayton ; $t How many kinds of rhythm are there? / $r Michael Tenzer ; $t Temporal processing and the experience of rhythm : a neuro-psychological approach / $r Udo Will -- $t Part IV : $t Time and experience : subjective and objective rhythm. $t Complexity and passage : experimenting with poetic rhythm / $r Christopher Hasty ; $t Encoded and embodied rhythm : an unprioritized ontology / $r Peter Cheyne ; $t Time, rhythm, and subjectivity : the aesthetics of duration / $r Max Paddison ; $t Husserl's model of time-consciousness, and the phenomenology of rhythm / $r Salome Jacob ; $t Pictorial experience and the perception of rhythm / $r Jason Gaiger ; $t Soundless rhythm / $r Victor Dura-Vila -- $t Part V : $t Reading rhythm. $t Rhythm, meter and poetics of abstraction / $r Jason David Hall ; $t The not-so-silent reading : what does it mean to say that we appreciate rhythm in literature? / $r Rebecca Wallbank ; $t Leaving it out : rhythm and short form in the modernist poetic tradition / $r Will Montgomery ; $t Hearing it right : rhythm and reading / $r John Holliday. 520 $a "Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience"--Provided by publisher. 650 0 $a Musical meter and rhythm. 650 0 $a Music $x Philosophy and aesthetics. 650 0 $a Musical perception. 650 0 $a Music $x Psychological aspects. 650 7 $a Music $x Philosophy and aesthetics. $2 fast $0 (OCoLC)fst01030408 650 7 $a Music $x Psychological aspects. $2 fast $0 (OCoLC)fst01030418 650 7 $a Musical meter and rhythm. $2 fast $0 (OCoLC)fst01030774 650 7 $a Musical perception. $2 fast $0 (OCoLC)fst01030788 700 1 $a Cheyne, Peter, $e editor. 700 1 $a Hamilton, Andy, $d 1957- $e editor. 700 1 $a Paddison, Max, $e editor. 776 08 $i Online version: $t Philosophy of rhythm. $d New York, NY : Oxford University Press, [2019] $z 9780190067922 $w (OCoLC)1127052311 941 $a 1 952 $l OVUX522 $d 20220317032156.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C88C495268DD11EA9C5A9E4D97128E48Initiate Another SILO Locator Search