Container of (work): Ajube kete (Motion picture) Container of (work): Tea 4 two (Motion picture) Container of (work): Intermittent delight (Motion picture) Container of (work): Boyant (Motion picture) Container of (work): Me broni ba (Motion picture) Container of (work): Drexciya (Motion picture) Container of (work): Split ends, I feel wonderful (Motion picture) Container of (work): Kwaku ananse (Motion picture) Container of (work): Bus nut (Motion picture) Container of (work): Reluctantly queer (Motion picture) Container of (work): Mahogany too (Motion picture) Container of (work): On Monday of last week (Motion picture) Container of (work): Pelourinho (Motion picture)
Notes:
Originally produced as short films 2005-2019.
Contents:
Ajube kete (6 min.) (2005) -- Tea 4 two (2 min.) (2006) -- Intermittent delight (5 min.) (2007) -- Boyant : a Michael Jordan in a Speedo is far beyond the horizon (4 min.) (2008) -- Me broni ba (22 min.) (2009) -- Drexciya (12 min.) (2011) -- Split ends, I feel wonderful (4 min.) (2012) -- Kwaku ananse (26 min.) (2013) -- Bus nut (7 min.) (2015) -- Reluctantly queer (8 min.) (2016) -- Mahogany too (3 min.) (2018) -- On Monday of last week (14 min.) (2018) -- Pelourinho : they don't really care about us (9 min.) (2019).
Summary:
"Akosua Adoma Owusu is a Ghanaian-American filmmaker, producer and cinematographer whose award-winning films and installation work address the collision of identities, where the African immigrant located in the United States has a "triple consciousness." Owusu interprets Du Bois' notion of double consciousness and creates a third cinematic space or consciousness, representing diverse identities including feminism, queerness and African immigrants interacting in African, white American, and black American culture."--Container
OCLC:
(OCoLC)1088412480
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.