Includes bibliographical references (p. [203]-261) and index.
Contents:
Initial plans for a physical anthropology display -- Malvina Hoffman as professional artist -- Producing the sculptures and building consensus -- The Hall of the Races of Mankind -- Life beyond the Field Museum : exhibiting statuettes during the 1930s -- Deploying the Races of mankind figures during the 1940s -- Conclusion : retraction and redeployment of the sculptures in Chicago.
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