Includes bibliographical references (pages 199-209) and index.
Contents:
Introduction -- Graphic Fictions of Japanese Immigration to Brazil: Pop Cosmopolitan Mobility and the Disjunctive Temporalities of Migration -- Otaku Culture and the Virtuality of Immaterial Labor in Mauricio de Sousa's Turma da Monica Jovem -- Ekphrastic Anxiety in Virtual Brazil: Photographing Japan in the Fiction of Alberto Renault -- Paranoid Orientalism in Bernardo Carvalho's O sol se põe em São Paulo -- Paulo Leminski's Haiku and the Disavowed Orientalism of the Poesia Concreta Project -- Moving Images of Japanese Immigration: The Photography of Haruo Ohara -- Afterword.
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