Motets for 5 (38 works) and 6 voices (last two works). Includes bibliographical references.
Contents:
1. Unam petii (CCATB) -- 2. Non est bonum (CCATB) -- 3. Beati omnes (CCATB) -- 4. Ascania de gente (CCATB) -- 5. Petite et dabitur vobis (CCATB) -- 6. Laetare de uxore (CCATB) -- 7. Venite ad me omnes (CCATB) -- 8. Vivo ego (CATTB) -- 9. Cantate Domino (CCATB) -- 10. Gaudens gaudebo (CCATB) -- 11. Sicut juvenis (CCATB) -- 12. Felix cui dederit (CCATB) -- 13. Rebus in humanis (CATTB) -- 14. Non erubesco (CATTB) -- 15. Fide Deo (CATTB) -- 16. Ferto crucem (CATTB) -- 17. Quicquid erit tandem (CCATB) -- 18. Ascaniae illustris (CCATB) -- 19. Nil sum (CCATB) -- 20. Solis ut ad radios (CATTB) -- 21. Regnum mundi (CCATB) -- 22. Fundamentum aliud (CCATB) -- 23. Pectus ut in sponso (CCATB) -- 24. Sicut Moses (CAATB) -- 25. Dixit Jesus (CCATB) -- 26. Lex per Mosen data est (CATTB) -- 27. Jam moesta quiesce querela (CATTB) -- 28. Corporalis exercitatio (CCATB) -- 29. Nonne duodecim sunt horae diei (CATTB) -- 30. Si moram fecerit Dominus (CATTB) -- 31. Si tua divino (CATTB) -- 32. Dominus noster Jesus Christus (CATTB) -- 33. Amen, amen dico vobis (CAATB) -- 34. Apparuerunt apostolis (CCATB) -- 35. Ego plantavi (CCATB) -- 36. Ego sum panis (CATTB) -- 37. Ecce quam bonum (CCATB) -- 38. Domine dirige gressus meos (CATTB) -- 39. Subditus esto Deo (CCATTB) -- 40. Quicquid agis, dic grata Deo (CATTTB).
Summary:
"This complete edition of Gallus Dressler's Latin motets includes a modern transcription of eighty-three of the composer's works. In addition, it features a substantial introduction, based on the most recent research into Dressler's life and music. A detailed critical report shows relationship between the three major editions of Dressler's motets, dating from 1574, 1577 and 1585, and their derivation from Dressler's XC Cantiones Quatuor, Quinque et Plurimum Vocum (1570), as well as several other earlier publications and one manuscript source. The presentation of the Latin texts and their translation into English, plus the identification of the varied sources of the texts and their significance, forms a new contribution to research on Dressler that moves well beyond the partial identification of some of the composer's text sources in previous studies of the composer and his works. This volume includes thirty-eight motets for five voices and two motets for six voices." -- Provided by publisher.
Series:
Recent researches in the music of the Renaissance, 0486-123X ; 181
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.