Women and performance: evidences of universal cultural suffrage in medieval and early modern Lincolnshire / James Stokes -- Payments, permits and punishments: women performers and the politics of place / Gweno Williams, Alison Findlay, Stephanie Hodgson-Wright -- The case of Moll Frith: women's work and the "all-male stage" / Natasha Korda -- "Quacking Delilahs": female mountebanks in early modern England and Italy / Bella Mirabella -- Reading the actress in commedia imagery / M.A. Katritzky -- "Merry, nimble, stirring spirit[s]": academic, salon and commedia dell'arte influence on the innamorate in Love's labour's lost / Julie D. Campbell -- Women performing homoerotic desire in English and Italian comedy: La calandria, Gl'Ingannati and Twelfth night / Rachel Poulsen -- Courtly comeĢdiantes: Henrietta Maria and amateur women's stage plays in France and England / Melinda J. Gough -- The Venetian theater of Aletheia Talbot, Countess of Arundel / Peter Parolin -- "Pleaders, atturneys, petitioners and the like": Margaret Cavendish and the dramatic petition / Julie Crawford -- Staging the absent woman: the theatrical evocation of Elizabeth Tudor in Heywood's If you know not me, you know nobody, part I / Jean E. Howard -- Female impersonation in early modern ballads / Bruce R. Smith -- Jesting rights: women players in the manuscript jestbook of Sir Nicholas Le Strange / Pamela Allen Brown.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.