Introduction / Jennifer Brady and Meredith L. Jeffers -- Precarious Narratives: Subjectivity in Rosario Izquierdo{u2019}s Diario de campo and Elvira Navarro{u2019}s La trabajadora / Christian Claesson -- Ghosts in the Present: The Haunting Voices of Contemporary Youth in Twenty-First-Century Spanish Film / Graham Stefan Ignizio -- Exile and Psychosis in Joseba Sarrionandia{u2019}s Lagun Izoztua / Ibon Izurieta Otazua -- Transcribing Loss: Kirmen Uribe{u2019}s Bilbao{u2014}New York{u2014}Bilbao / Meredith L. Jeffers -- The Interplay of Female Voice(lessness) and Agency in the Face of Objectification, Commodification, and Fetishization in Carlos Vermut{u2019}s Magical Girl (2014) / Maureen Tobin Stanley -- The Other (in) Silence: Transgressive Subjectivities and Emptied Spaces in Contemporary Literature and Film / Eduardo Barros Grela -- Schizophrenia, Sex, and Sentience: Familial (Dys)function as Identity Formation in La isla interior (2009) / Heather Jerónimo {u2013} Almodóvar{u2019}s Palimpsestuous Bastards: Interserial Interpretations of Illegitimate Identities in La mala educación (2004), Volver (2006), and La piel que habito (2011) / Amanda Eaton McMenamin -- Desiring Bodies: Disorienting Texts and Spaces in Two Contemporary Literary Works by Juan José Millás / Jennifer Brady -- The Barcelonian Bourgeoisie in Ruins: Jaume Balagueró{u2019}s Mientras duermes (2011) / Conxita Domènech.
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