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03324aam a22005538i 4500 001 2A066150FC1F11E7B7150C4F97128E48 003 SILO 005 20180118010544 008 160614s2016 miug bq 001 0 eng 010 $a 2016027223 020 $a 0472122266 020 $a 9780472122264 020 $a 0472073206 020 $a 9780472073207 020 $a 0472053205 020 $a 9780472053209 035 $a (OCoLC)949986704 040 $a DLC $b eng $e rda $c DLC $d YDXCP $d BTCTA $d BDX $d OCLCO $d OCLCF $d OCLCQ $d ERASA $d UtOrBLW $d SILO 042 $a pcc 043 $a n-us--- $0 http://id.loc.gov/vocabulary/geographicAreas/n-us 050 00 $a ML410.L6245 $b C5 2016 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 781.65092 $2 23 100 1 $a Coady, Christopher, $d 1980- $e author. $0 http://id.loc.gov/authorities/names/n2016032178 245 10 $a John Lewis and the challenge of "real" black music / $c Christopher Coady. 263 $a 1610 264 1 $a Ann Arbor : $b University of Michigan Press, $c [2016] 300 $a x, 241 pages : $b music ; $c 23 cm. 490 1 $a Jazz perspectives 504 $a Includes bibliographical references (pages 213-231), filmography (page 233), and index. 520 8 $a For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. Christopher Coady explores the work ofone of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions to his leadershipof the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz. Along the way Coady shows how Lewis's fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazzand Third Stream music more broadly. 600 10 $a Lewis, John, $d 1920-2001 $x Criticism and interpretation. 610 20 $a Modern Jazz Quartet. $0 http://id.loc.gov/authorities/names/n82164705 600 17 $a Lewis, John, $d 1920-2001. $2 fast $0 (OCoLC)fst00078689 610 27 $a Modern Jazz Quartet. $2 fast $0 (OCoLC)fst00575448 650 0 $a Third stream (Music) $x History and criticism. 650 0 $a Jazz $y 1941-1950 $x History and criticism. 650 0 $a Jazz $y 1951-1960 $x History and criticism. 650 0 $a Music and race $z United States $x History $y 20th century. 650 7 $a Jazz. $2 fast $0 (OCoLC)fst00982165 650 7 $a Music and race. $2 fast $0 (OCoLC)fst01030486 650 7 $a Third stream (Music) $2 fast $0 (OCoLC)fst01740809 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Jazz perspectives. $0 http://id.loc.gov/authorities/names/n2002068548 941 $a 1 952 $l OVUX522 $d 20191214022048.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2A066150FC1F11E7B7150C4F97128E48Initiate Another SILO Locator Search