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03873aam a2200517Ii 4500 001 479175F4462211E9A3F20F6897128E48 003 SILO 005 20190314012734 008 180426t20182018sz b 001 0 eng d 010 $a 2018944446 020 $a 9783319922485 020 $a 3319922483 035 $a (OCoLC)1032581233 040 $a YDX $b eng $e rda $c YDX $d CDX $d BDX $d QGK $d OCLCF $d ZYU $d OCLCO $d UKMGB $d UWO $d CUI $d CHVBK $d OCLCO $d NUI $d SILO 082 04 $a 842/.91209 $2 23 100 1 $a Di Ponio, Amanda, $e author. 245 14 $a The early modern theatre of cruelty and its doubles : $b Artaud and influence / $c Amanda Di Ponio. 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2018] 300 $a xii, 270 pages ; $c 22 cm. 490 1 $a Avant-gardes in performance 504 $a Includes bibliographical references (pages 237-259) and index. 505 0 $a Introduction -- Section I -- The Theatre and Its Double -- Interpreting Antonin Artaud's Theatre of Cruelty -- Section II -- Elizabethan Social History: Doubles of the Theatre -- Theatre and Plague: The Doubly Potent Spectacles of Early Modern Culture -- Bear-Baiting and the Theatre of Cruelty -- Section III -- The Sources of Dramatic Cruelty -- Thyestean Savagery: Seneca, the Renaissance, and the Theatre of Cruelty -- Artaud and the `Elizabethans': Revenge Tragedy as Inspiration for a Theatre of Cruelty -- Section IV -- The Theatre of Cruelty in Performance -- Artaud's Les Cenci -- After Artaud: Peter Brook and The Theatre of Cruelty Season -- Conclusion 520 8 $a This book examines the influence of the early modern period on Antonin Artaud{u2019}s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud{u2019}s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama. 600 10 $a Artaud, Antonin, $d 1896-1948. $t TheÌaÌtre et son double. 600 10 $a Artaud, Antonin, $d 1896-1948 $x Criticism and interpretation. 600 10 $a Artaud, Antonin, $d 1896-1948 $x Influence. 600 17 $a Artaud, Antonin, $d 1896-1948. $2 fast $0 (OCoLC)fst00033589 630 07 $a TheÌaÌtre et son double (Artaud, Antonin) $2 fast $0 (OCoLC)fst01360447 650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism. 650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x Influence. 650 0 $a Cruelty in literature. 650 7 $a Cruelty in literature. $2 fast $0 (OCoLC)fst00884358 650 7 $a English drama $x Early modern and Elizabethan. $2 fast $0 (OCoLC)fst01710950 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 600 17 $a Artaud, Antonin $d 1896-1948 $t Le theÌaÌtre et son double $2 gnd $0 (DE-588)4564213-8 650 7 $a Drama $2 gnd $0 (DE-588)4012899-4 650 7 $a Englisch $2 gnd $0 (DE-588)4014777-0 650 7 $a Rezeption $2 gnd $0 (DE-588)4049716-1 650 7 $a Theater der Grausamkeit $2 gnd $0 (DE-588)4185037-3 648 7 $a 1500-1600 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Electronic version : $a Di Ponio, Amanda. $t Early modern theatre of cruelty and its doubles. $d Cham, Switzerland : Palgrave Macmillan, 2018 $z 9783319922492 $w (OCoLC)1049568024 830 0 $a Avant-gardes in performance. 941 $a 1 952 $l OVUX522 $d 20191120032524.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=479175F4462211E9A3F20F6897128E48Initiate Another SILO Locator Search