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04089aam a2200661 i 4500 001 F1B0F23C6B5311E69AFE1DDBDAD10320 003 SILO 005 20160826010517 008 151006s2015 miua b s001 0 eng 010 $a 2015022310 020 $a 0472052756 020 $a 9780472052752 020 $a 0472072757 020 $a 9780472072750 035 $a (OCoLC)910413053 040 $a DLC $b eng $e rda $c DLC $d YDX $d YDXCP $d BTCTA $d BDX $d OCLCF $d CDX $d GZM $d OCLCO $d ZCU $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PS88 .G35 2015 082 00 $a 810.9 $2 23 084 $a LIT006000 $2 bisacsh 100 1 $a Gailey, Amanda A., $e author. 245 10 $a Proofs of genius : $b collected editions from the American revolution to the digital age / $c Amanda Gailey. 264 1 $a Ann Arbor : $b University of Michigan Press, $c [2015] 300 $a viii, 162 pages : $b illustrations ; $c 24 cm. 490 1 $a Editorial theory and literary criticism 520 $a "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated. 650 0 $a American literature $x History $z United States $x History $y 19th century. 650 0 $a American literature $x History $z United States $x History $y 20th century. 650 0 $a Literature publishing $z United States $x History $y 19th century. 650 0 $a Literature publishing $z United States $x History $y 20th century. 600 10 $a Dickinson, Emily, $d 1830-1886 $x Appreciation. 600 10 $a Whitman, Walt, $d 1819-1892 $x Appreciation. 650 0 $a Editions $z United States $x History. 650 0 $a Editing $x History. 650 0 $a Canon (Literature) 650 0 $a Authorship $x History. 650 7 $a LITERARY CRITICISM / Semiotics & Theory. $2 bisacsh 600 17 $a Dickinson, Emily, $d 1830-1886. $2 fast $0 (OCoLC)fst00035276 600 17 $a Whitman, Walt, $d 1819-1892. $2 fast $0 (OCoLC)fst00039575 650 7 $a American literature $x Appreciation. $2 fast $0 (OCoLC)fst00807120 650 7 $a Art appreciation. $2 fast $0 (OCoLC)fst00815447 650 7 $a Authorship. $2 fast $0 (OCoLC)fst00822442 650 7 $a Canon (Literature) $2 fast $0 (OCoLC)fst00845906 650 7 $a Editing. $2 fast $0 (OCoLC)fst00902451 650 7 $a Editions. $2 fast $0 (OCoLC)fst00902462 650 7 $a Literature publishing. $2 fast $0 (OCoLC)fst01000111 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1800 - 1999 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Editorial theory and literary criticism. 941 $a 2 952 $l OVUX522 $d 20180116112937.0 952 $l USUX851 $d 20160826042400.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F1B0F23C6B5311E69AFE1DDBDAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search