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03593aam a2200433 i 4500 001 A5A17766DA3111EB950CCE9F56ECA4DB 003 SILO 005 20210701010029 008 200922s2021 nyua b 001 0 eng 010 $a 2020043528 020 $a 0197542646 020 $a 9780197542644 035 $a (OCoLC)1200037725 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d UKMGB $d TDF $d RES $d YDX $d SILO 042 $a pcc 050 00 $a ML1460 $b .P39 2021 082 00 $a 782.109/034 $2 23 100 1 $a Parr, Sean M., $e author. 245 10 $a Vocal virtuosity : $b the origins of the coloratura soprano in nineteenth-century opera / $c Sean M. Parr. 264 1 $a New York, NY : $b Oxford University Press, $c [2021] 300 $a xv, 301 pages : $b illustrations ; $c 25 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura. 520 $a "Vocal Virtuosity is a book about the apex of operatic vocalism. Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura-agile, rapid-fire singing-was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity runs counter to the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, Parr's research reveals the instigators of this change in vocal practice and the perpetuators of the art of coloratura. Vocal Virtuosity examines the historical traces of Parisian singers who were the period's greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book also explores what melismas can signify in operatic performance while constructing the historical trajectory of coloratura as it became gendered the provenance of the female singer. In arguing that vocal virtuosity was a source of power for women, generating space for female authorship and creativity, the book reclaims a place in history for the coloratura soprano"-- $c Provided by publisher. 650 0 $a Singing $x History $y 19th century. 650 0 $a Embellishment (Vocal music) $x History $y 19th century. 650 0 $a Sopranos (Singers) 650 0 $a Opera $y 19th century. 650 7 $a Embellishment (Vocal music) $2 fast $0 (OCoLC)fst00908309 650 7 $a Opera. $2 fast $0 (OCoLC)fst01046145 650 7 $a Singing. $2 fast $0 (OCoLC)fst01119311 650 7 $a Sopranos (Singers) $2 fast $0 (OCoLC)fst01126730 648 7 $a 1800-1899 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Parr, Sean M., $t Vocal virtuosity $d New York : Oxford University Press, 2021. $z 9780197542668 $w (DLC) 2020043529 941 $a 1 952 $l UNUX074 $d 20210701010522.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A5A17766DA3111EB950CCE9F56ECA4DB 994 $a Z0 $b NIUInitiate Another SILO Locator Search