612 records matched your query
05371aam a2200529 i 4500 001 AD23F8E40C2C11EAA2E5F95597128E48 003 SILO 005 20191121010049 008 190112s2019 ne ach b 001 0 eng d 020 $a 900439060X 020 $a 9789004390607 035 $a (OCoLC)1082205281 040 $a OHX $b eng $e rda $c OHX $d COO $d YDXIT $d OCLCF $d LOA $d JPG $d NUI $d UtOrBLW $d SILO 043 $a a-ja--- $0 http://id.loc.gov/vocabulary/geographicAreas/a-ja 050 4 $a N7355.5.A83 $b S36 2019 $0 http://id.loc.gov/authorities/classification/N 082 04 $a 709.52 $2 23 100 1 $a Schoneveld, Erin, $e author. $0 http://id.loc.gov/authorities/names/nb2019003838 245 10 $a Shirakaba and Japanese modernism : $b art magazines, artistic collectives, and the early avant-garde / $c by Erin Schoneveld. 264 1 $a Leiden ; $b Brill, $c 2019. 300 $a xi, 262 pages : $b illustrations (chiefly color), facsimiles, portraits ; $c 26 cm. 490 1 $a Japanese visual culture, $x 2210-2868 ; $v volume 18 504 $a Includes bibliographical references (pages 243-256) and index. 505 0 $a Introduction: The Bunten, Bijutsu, and the winds of change. Japanese modernism and the early Avant-garde. Expanding the scope of Shirakaba studies -- The art magazine: Emergence of the art magazine. Coterie magazines and the birth of Shirakaba. The materiality of Shirakaba. Shirakaba ideology: artistic autonomy and the cult of the individual -- Conversations with European modernism: Paul CeÌzanne. Vincent van Gogh and Paul Gauguin. Heinrich Vogeler and Auguste Rodin -- Shirakaba and modernism in Japan: The "conventions of painting" debate. "The revolutionary artist" -- Revolutionary art, revolutionary artists: Takamura KoÌtaroÌ, Umehara RyuÌzaburoÌ, and Kishida RyuÌsei -- From the Avant-garde to the institution: the evolving exhibition practices of Shirakaba: Alternative exhibition spaces. Shirakaba-sponsored art exhibtions. Envisioning a Shirakaba Museum -- The legacy of Shirakaba. 520 $a Shirakaba and Japanese Modernism examines the most significant Japanese art and literary magazine of the early twentieth century, Shirakaba (White Birch, 1910-1923) and its founder, the Shirakaba-ha (White Birch Society). Erin Schoneveld's book explores the fluid relationship that existed between the different types of modern visual media, exhibition formats, and artistic practices embraced by the Shirakaba group. It provides a new comparative framework for understanding how the avant-garde pursuit of individuality during this period stood in opposition to state-sponsored modernism and how this played out in the emerging media of art magazines and artistic collectives. Schoneveld argues that the Shirakaba group and Shirakaba magazine's embrace of Post-Impressionism through the life and work of artists such as Cezanne, Van Gogh, and Gauguin offered them a key rhetorical strategy in the evolving discourse of modern Japanese art. Their strategic alignment with artists who they believed represented the revolutionary aesthetics of individualism and artistic self-expression during the early twentieth century assisted in concretizing Shirakaba's own humanist ideology. Schoneveld analyzes key moments in modern Japanese art and intellectual history by focusing on the Japanese artists most closely affiliated with the Shirakaba magazine, including Takamura Kotaro, Umehara Ryuzaburo, and Kishida Ryusei. Drawing upon extensive archival research that includes numerous articles, images, and exhibitions reviews from the Shirakaba, as well as a complete translation of Yanagi Soetsu's seminal essay, "The Revolutionary Artist" (Kakumei no gaka), Schoneveld demonstrates that, contrary to the received narrative that posits Japanese modernism as merely derivative, the debate around modernism among Japan's early avant-garde was lively, contested, and self-reflexive. 650 0 $a Shirakaba School. $0 http://id.loc.gov/authorities/subjects/sh85121672 630 00 $a Shirakaba. 650 0 $a Avant-garde (Aesthetics) $z Japan. 650 0 $a Modernism (Art) $z Japan. 650 0 $a Art, Japanese $y 20th century. $0 http://id.loc.gov/authorities/subjects/sh90005963 600 10 $a Takamura, KoÌtaroÌ, $d 1883-1956. $0 http://id.loc.gov/authorities/names/n80014350 600 10 $a Umehara, RyuÌzaburoÌ, $d 1888-1986. $0 http://id.loc.gov/authorities/names/n84210516 600 10 $a Kishida, RyuÌsei, $d 1891-1929. $0 http://id.loc.gov/authorities/names/n79099096 600 17 $a Kishida, RyuÌsei, $d 1891-1929. $2 fast $0 (OCoLC)fst00041828 600 17 $a Takamura, KoÌtaroÌ, $d 1883-1956. $2 fast $0 (OCoLC)fst00049779 600 17 $a Umehara, RyuÌzaburoÌ, $d 1888-1986. $2 fast $0 (OCoLC)fst00146350 650 7 $a Art, Japanese. $2 fast $0 (OCoLC)fst00816467 650 7 $a Artists. $2 fast $0 (OCoLC)fst00817559 650 7 $a Avant-garde (Aesthetics) $2 fast $0 (OCoLC)fst00824280 650 7 $a Japanese literature. $2 fast $0 (OCoLC)fst00981803 650 7 $a Modernism (Art) $2 fast $0 (OCoLC)fst01024442 650 7 $a Shirakaba School. $2 fast $0 (OCoLC)fst01116673 651 7 $a Japan. $2 fast $0 (OCoLC)fst01204082 648 7 $a 1900-1999 $2 fast 830 0 $a Japanese visual culture ; $v v. 18. $0 http://id.loc.gov/authorities/names/no2011020393 941 $a 1 952 $l OVUX522 $d 20191121011153.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=AD23F8E40C2C11EAA2E5F95597128E48Initiate Another SILO Locator Search