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03181aam a2200373Ii 4500 001 E72B9114B05F11EA86A2D96D97128E48 003 SILO 005 20200617010021 008 200127t20202019nyua b 000 0 eng d 020 $a 9780847866649 020 $a 0847866645 035 $a (OCoLC)1138704117 040 $a TOH $b eng $e rda $c TOH $d BKL $d FNE $d B@L $d YDXIT $d SILO 050 4 $a N6538.N5 $b R57 2019 082 04 $a 704.08996 $2 23 100 1 $a Childs, Adrienne L., $e author. 245 10 $a Riffs and relations : $b African American artists and the European modernist tradition / $c Adrienne L. Childs ; with contributions by Renee Maurer, Valerie Cassel Oliver. 246 30 $a African American artists and the European modernist tradition 264 1 $a New York, NY : $b Rizzoli Electa ; $c 2020. 300 $a 208 pages : $b illustrations (some color) ; $c 29 cm 500 $a Published on the occasion of the exhibition held at The Phillips Collection, Washington, DC, February 29-May 24, 2020 504 $a Includes bibliographical references (pages 200-202) and index 505 0 $a Riffs and relations: an introduction / Adrienne L. Childs -- African art and the modern / Adrienne L. Childs -- Contested bodies: artist/model/muse / Adrienne L. Childs -- Duncan Phillips and community / Renee Maurer -- Abstract relations : a conversation between Valerie Cassel Oliver and Adrienne L. Childs -- Works in the exhibition 520 $a Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues. 650 0 $a African American art $y 20th century $v Exhibitions. 650 0 $a African American art $y 21st century $v Exhibitions. 650 0 $a African American art $x European influences $v Exhibitions. 655 7 $a Exhibition catalogs. $2 lcgft 700 1 $a Maurer, Renee, $e contributor. 700 1 $a Cassel Oliver, Valerie, $e contributor. 710 2 $a Phillips Collection, $e host institution. 941 $a 1 952 $l OVUX522 $d 20220317020445.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E72B9114B05F11EA86A2D96D97128E48Initiate Another SILO Locator Search