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03680aam a22004698i 4500 001 F02C7962101A11EA8DA14E4D97128E48 003 SILO 005 20191126010151 008 181218t20192019sz b 001 0 eng d 010 $a 2018955396 020 $a 3319916734 020 $a 9783319916736 035 $a (OCoLC)1031463326 035 $a (OCoLC)1083163752 040 $a UKMGB $b eng $e rda $c UKMGB $d OCLCO $d EYM $d BDX $d EAU $d YDX $d OCLCF $d UtOrBLW $d SILO 050 4 $a ML285 $b .G59 2019 $0 http://id.loc.gov/authorities/classification/M 082 04 $a 070.44978094109047 $2 23 100 1 $a Glen, Patrick, $e author. $0 http://id.loc.gov/authorities/names/no2019046263 245 10 $a Youth and permissive social change in British music papers, 1967-1983 / $c Patrick Glen. 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2019] 300 $a vii, 251 pages ; $c 21 cm. 490 1 $a Palgrave studies in the history of subcultures and popular music 504 $a Includes bibliographical references and index. 505 0 $a 1. Introduction: a Sea of Possibilities? -- 2. Hungry Freaks, Well-fed Entertainers?: Something Different in the Music Press -- 3. This is the Beginning of a New Age: New Papers, New Editors and the Underground -- 4. 'Obligatory Cosmopolitan Musical Viewpoint'? Gender and Sexuality in the 1970s Music Press -- 5. 'The Titanic Sails at Dawn': Punk Papers, Class, Youth and Deviance -- 6. Too Much Paranoias: The Beginning of the End for the Inkies -- 7. Conclusions: Good Night to the Rock and Roll Era? -- Index. 520 $a This book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millioins every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. By analysing music papers and oral history interviews with journalists and editors, Patrick Glen examines how papers represented a lucrative entertainment industry and mass press that had to negotiate tensions between alternative sentiments and commercial prerogatives. This book demonstrates, as a consequence, how music papers constructed political positions, public identities and social mores within the context of the market. As a result, descriptions and experiences of social change and youth were contingent on the understandings of class, gender, sexuality, race and locality--back cover. 650 0 $a Musical criticism $z Great Britain $x History $y 20th century. 650 0 $a Popular music $x History $z Great Britain $x History $y 20th century. 650 0 $a Social change $x History $y 20th century. 650 0 $a Youth movements $z Great Britain $x History $y 20th century. 651 0 $a Great Britain $x Social conditions $y 20th century. $0 http://id.loc.gov/authorities/subjects/sh85056944 650 7 $a Musical criticism. $2 fast $0 (OCoLC)fst01030706 650 7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460 650 7 $a Social change. $2 fast $0 (OCoLC)fst01122310 650 7 $a Social conditions. $2 fast $0 (OCoLC)fst01919811 650 7 $a Youth movements. $2 fast $0 (OCoLC)fst01716075 651 7 $a Great Britain. $2 fast $0 (OCoLC)fst01204623 648 7 $a 1900-1999 $2 fast 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Palgrave studies in the history of subcultures and popular music. $0 http://id.loc.gov/authorities/names/no2018011924 941 $a 1 952 $l OVUX522 $d 20191211021812.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F02C7962101A11EA8DA14E4D97128E48Initiate Another SILO Locator Search