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04616aam a2200445 i 4500 001 5E3EC6780B6411EAA467CE0D97128E48 003 SILO 005 20191120010135 008 180914s2019 mdu b 001 0 eng 010 $a 2018044216 020 $a 1498548822 020 $a 9781498548823 035 $a (OCoLC)1061865657 040 $a DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d UKMGB $d YDX $d OCLCQ $d YDX $d COD $d MNN $d UtOrBLW $d SILO 042 $a pcc 043 $a a-ko--- $0 http://id.loc.gov/vocabulary/geographicAreas/a-ko 050 00 $a ML3502.K6 $b K5737 2019 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 306.4/842409519 $2 23 100 1 $a Kim, Gooyong, $e author. $0 http://id.loc.gov/authorities/names/n2018053714 245 10 $a From factory girls to K-pop idol girls : $b cultural politics of developmentalism, patriarchy, and neoliberalism in South Korea's popular music industry / $c Gooyong Kim. 264 1 $a Lanham, Maryland : $b Lexington Books, $c [2019] 300 $a xxxv, 153 pages ; $c 24 cm. 490 1 $a For the record: Lexington studies in rock and popular music 504 $a Includes bibliographical references and index. 505 00 $t The 90s, the Most Stunning Days of Our Lives: Cultural Politics of Retro K-pop Music, Nostalgia, and Positive Psychology in Contemporary Korea. $t K-pop Idol Girl Groups as Cultural Genre of Neoliberalism: Patriarchy, Developmentalism, and Structure of Feeling/ Experience in K-pop -- $t Between Hybridity and Hegemony in K-Popâs Global Popularity: A Case of Girlsâ Generationâs American Debut -- $t Genealogy and Affective Economy of K-pop Female Idols: From Cute and Innocent to Ambiguous Femininity, to Explicit Sexualization -- $t Elusive Subjectivity of K-pop Female Idols: Split-personality, Narcissism, and Neo-Confucian Body Techniques in Suzy of MissA -- $t Resilience, Positive Psychology, and Subjectivity in K-pop Female Idols: Evolution of Girlsâ Generation from "Into the New World" (2007) to "All Night" (2017) -- $t The 90s, the Most Stunning Days of Our Lives: Cultural Politics of Retro K-pop Music, Nostalgia, and Positive Psychology in Contemporary Korea. 520 8 $a Focusing on female idols' proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea's development trajectories, scrutinizing how a formula of developments from the country' rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault's discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals' subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation's century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state's export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. 650 0 $a Popular music $z Korea (South) $x History and criticism. 650 0 $a Popular music $x Social aspects $z Korea (South) 650 0 $a Music trade $z Korea (South) 650 7 $a Music trade. $2 fast $0 (OCoLC)fst01030641 650 7 $a Popular music. $2 fast $0 (OCoLC)fst01071422 650 7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460 651 7 $a Korea (South) $2 fast $0 (OCoLC)fst01206791 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 776 08 $i Online version: $a Kim, Gooyong. $t From factory girls to K-pop idol girls. $d Lanham : Lexington Books, [2019] $z 9781498548830 $w (DLC) 2018053621 830 0 $a For the record: Lexington studies in rock and popular music. $0 http://id.loc.gov/authorities/names/no2015070045 941 $a 2 952 $l PLAX964 $d 20240724074402.0 952 $l OVUX522 $d 20240717011517.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=5E3EC6780B6411EAA467CE0D97128E48Initiate Another SILO Locator Search