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03828aam a2200457 i 4500 001 A5AD0C4ECF3111EB9A1890BA3BECA4DB 003 SILO 005 20210617010040 008 201117t20202020msua bkq 001 0 eng 010 $a 2020032150 020 $a 1496831225 020 $a 9781496831224 020 $a 1496831217 020 $a 9781496831217 035 $a (OCoLC)1154090182 040 $a MsSM/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d TJC $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML3534.3 $b .R34 2020 100 1 $a Rapport, Evan, $e author. 245 10 $a Damaged : $b musicality and race in early American punk / $c Evan Rapport. 264 1 $a Jackson : $b University Press of Mississippi, $c [2020] 300 $a x, 351 pages : $b illustrations ; $c 25 cm. 490 1 $a American made music series 504 $a Includes bibliographical references, discography, filmography and index. 505 00 $g Outro. $t A new way to pay old debts. $g Part one: punk (adj.). $t "Raw power": protopunk transformations of the blues ; $t "Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk ; $t "Pure rock and roll with no blues or folk or any of that stuff in it" -- $g Part two: punk (n.). $t Punk and the white Atlantic ; $t "Less art and more machine": the California crucible ; $t "Decisions with precisions": new directions for hardcore in Washington, DC -- $g Outro. $t A new way to pay old debts. 520 $a "Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis"--Provided by publisher. 650 0 $a Punk rock music $z United States $x History and criticism. 650 0 $a Music and race $z United States $x History $y 20th century. 650 7 $a Music and race. $2 fast $0 (OCoLC)fst01030486 650 7 $a Punk rock music. $2 fast $0 (OCoLC)fst01084153 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Rapport, Evan, $t Damaged $d Jackson : University Press of Mississippi, 2020. $z 9781496831231 $w (DLC) 2020032151 830 0 $a American made music series. 941 $a 2 952 $l UQAX771 $d 20220601010743.0 952 $l OVUX522 $d 20220317030222.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A5AD0C4ECF3111EB9A1890BA3BECA4DBInitiate Another SILO Locator Search