Includes bibliographical references (pages 290-301) and index.
Summary:
This book investigates the diverse visual representations of the Orchid Pavilion Gathering produced during the Edo period Japan. 00Kazuko Kameda-Madar, Ph.D. (1964), is Lecturer of University of Hawaii - West Oahu. She has published many articles on Japanese Art and edited anthologies, including The Power of Copying: A Matrix of Creation and Continuity (2014).
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.