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Title:

The Oxford handbook of music and queerness / edited by Fred Everett Maus and Sheila Whiteley ; with Tavia Nyong'o and Zoe Sherinian, associate editors.

Publisher:

Oxford University Press,

Copyright Date:

2022

Description:

xiii, 676 pages : illustrations, music ; 26 cm

Subject:

Queer musicology.
Homosexuality and music.
Gender identity in music.
Homosexualité et musique.
Identité sexuelle dans la musique.
Queer musicology.
Gender identity in music.
Homosexuality and music.

Other Authors:

Maus, Fred Everett, editor.
Whiteley, Sheila, 1941-2015, editor.
Ochieng' Nyongó, Tavia Amolo, editor.
Sherinian, Zoe C., editor.

Notes:

Includes bibliographical references and index.

Contents:

Part VI. How to do things with theory : Cultural "transcription," "queerness," and Ukrainian pop Whose refuge, this house? : The estrangement of queers of color in electronic dance music / Stephen Amico. The queer pleasures of musicals / Bradley Rogers ; The gospel according to the gays : Queering the roots of gospel music / E. Patrick Johnson ; Queer as trad : LGBTQ performers and Irish traditional music in the United States / Tes Slominski ; Gay country, TransAmericana, and queer sincerity / Shana Goldin-Perschbacher ; Queer hip hop : A brief historiography / Shanté Paradigm Smalls -- Part II. Versions. From queer musicology to indecent theology : Liberal and liberationist Protestant theology and musical queerings of the Bible / Dirk von der Horst ; Operatic adaptations and the representation of non-normative sexualities / Freya Jarman ; Queer audiovisual creativity : Fan-created music videos from Star Trek to Bad Girls / Nina Treadwell ; Karaoke, queer theory, queer performance : Dedicated to José Esteban Muñoz / Karen Tongson -- Part III. Voices and sounds. Free as a bird? : Thinking with the grain of Meshell Ndegeocello's butch voice / Tavia Nyong'o ; Transgender passing guides and the vocal performance of gender and sexuality / Stephan Pennington ; Sound desires : Auralism, the sexual fetishization of music / Jodie Taylor ; Transcripts : Toward a queer phenomenology of the field recording / Drew Daniel -- Part IV. Lives. Queering Brighton / Sheila Whiteley ; (To) Queer : "A" life to music / Elizabeth Gould ; Endangered tenderness : Schubert, Chopin, and Schumann / Charles Fisk ; Musical awakenings : The experiences of a queer music therapist in the face of HIV and AIDS / Colin Andrew Lee ; Toward a trans* method in musicology / Dana Baitz ; Quare times : An introduction to a queer perspective on Afrofuturism and a reading of Sun Ra's Space is the place Tim Stüttgen ; Musical abjects : Sounds and objectionable sexualities / Jenny Olivia Johnson -- Part V. Histories. Music in the margins : Queerness in the clerical imagination, 1200-1500 / Lisa Colton ; The queer history of the castrato / Emily Wilbourne ; Queering middle class gender in nineteenth-century US theater / Gillian M. Rodger ; Anglophone songs about HIV/AIDS / Matthew J. Jones ; Queer patriotism in the Eurovision Song Contest / Ivan Raykoff -- Part VI. Cross-Cultural Queerness? Interdisciplinary enqueeries from India : Moving toward a queer ethnomusicology / Zoe Sherinian ; Kunqu cross-dressing as artistic and/or queer performance / Joseph S. C. Lam ; Non-ordinary gender and sexuality in Indonesian performance / Henry Spiller ; Out in the undercurrents : Queer politics in Hong Kong popular music / Yiu Fai Chow and Jeroen de Kloet ; How to do things with theory : Cultural "transcription," "queerness," and Ukrainian pop Stephen Amico.

Summary:

"In the 1990s, academic study of LGBTQ issues in relation to music centered on classical music, and the research topics and researchers were mostly white. The scope of the field has expanded greatly since then, with ongoing research on classical music, extensive work on white popular music, a growing literature on Black music, and recent initiatives in ethnomusicology. The term "queer" has risen as a welcome intention of inclusiveness, along with some complexity in its meanings. In The Oxford Handbook of Music and Queerness, contributors choose their relationship to the term as it relates to their work within and without the academic community. Offering a decisive departure from a Western- and Eurocentric approach to music, this Handbook reflects different rhetorics of queer musicology. Chapters look at music and queer experience across a range of venues and approaches, from gospel to electronic dance music; from Hong Kong public music to Ukrainian pop. Together, contributors illustrate the potential of queer methodologies in the musical realm, and where we go from here. Keywords: queer musicology, ethnomusicology, queer performance, popular music, queer theory, music and sexuality, LGBTQ studies"-- Provided by publisher.

ISBN:

0199793522
9780199793525

OCLC:

(OCoLC)1265457834

LCCN:

2021033793

Locations:

UNUX074 -- University of Northern Iowa - Rod Library (Cedar Falls)

PLAX964 -- Luther College - Preus Library (Decorah)