Includes bibliographical references (p. 305-327) and index.
Contents:
From Clorindy to Carnegie Hall : the Harlem entertainment community -- Jazz rhapsodies in black and white : James P. Johnson's Yamekraw -- "The blues get glorified" : Harlem entertainment, Negro nuances, and black symphonic jazz -- Ellingtonian extended composition and the symphonic jazz model -- "Harlem love song" : the symphonic aspirations of James P. Johnson, 1930-1945 -- "Carnegie blues" and the symphonic Ellington -- Conclusion : the legacy of Harlem's concert jazz.
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