Includes bibliographical references (pages 194-204) and index.
Contents:
What's in a dress? -- On the lavatory question -- The aesthetic of cross-dressing -- Everyone's a fetishist -- How popular culture made me (a woman) -- Full exposure.
Summary:
On July 27th, 2015, Colin Cremin overcame a lifetime of fear and repression and came to work dressed as a woman called Ciara. This book charts her personal journey as a male-to-female cross-dresser in the ever-changing world of gender politics. Interweaving the personal and the political, through discussions of fetishism, aesthetics and popular culture, Man-Made Woman explores gender, identity and pleasure through the lenses of feminism, Marxism and psychoanalytic theory. Cremin's anti-moralistic approach dismantles the abjection associated with male-to-female cross dressing, examining the causes of its repression, and considers what it means to publicly materialise desire on her body. Emancipatory and empowering: Cremin interrogates her, his and our relationship to the gender binary. Man-Made Woman is an experiment in thought and practice through which both author and reader are drawn ultimately into a conflict with our material, ideological and libidinal relationship to patriarchal-capitalism.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.