Introduction: when the lights go down / Daniel Sullivan and Jeff Greenberg -- Terror management theory and film. A terror management analysis of films from four genres: The matrix, Life is beautiful, Iron Man 2, and Ikiru / Jeff Greenberg and Alisabeth Ayars -- The end is near: mortality salience in Apocalyptic films / Joel D. Lieberman and Mark Fergus -- Aspects of death denial in individual films and genres. Little murders: cultural animals in an existential age / Sheldon Solomon and Mark J. Landau -- Icons of stone and steel: death, cinema, and the future of emotion / Jennifer L. McMahon -- Consumed in the act: Grizzly man and Frankenstein / Kirby Farrell -- Black swan/white swan: on female objectification, creatureliness, and death denial / Jamie L. Goldenberg -- Death, wealth, and guilt: an analysis of There will be blood? / Daniel Sullivan -- The birth and death of the superhero film / Sander L. Koole, Daniel Fockenberg, Mattie Tops, and Iris K. Schneider -- Directors engaging with death. Bergman and the switching off of lights / Peter Cowie -- Death in the films of Stanley Kubrick / Susan White -- Haneke's Amour and the ethics of dying / Asbjorn Gronstad -- The prospect of transcendence -- Visions of death: Native American cinema and the transformative power of death / Jennifer L. McMahon -- From despair and fanaticism to awe: a post-traumatic growth perspective on cinematic horror / Kirk J. Schneider -- Conclusion: cinematic death benefits / Daniel Sullivan and Jeff Greenberg.
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