Includes bibliographical references (p. 267-269) and index.
Contents:
1. Operatic action and the dimensiion of time. 1. Recitative and aria in Handel and Mozart: Handel ; Mozart -- 7. The solo voice in the operas of other composers: Monteverdi's L'Orfeo ; L'Incoronazione di Poppea ; Verdi's Rigoletto ; Puccini's La Boheme ; Britten's Peter Grimes -- 3. The duet/ensemble: The equal duet ; The unequal ensemble ; A Mozart trio -- Part II. The orchestra enlarges the stage. 4. Dance and atmospheric background: Early instances of orchestral independence ; Orchestral march and choral dance ; Storms and Bohemians -- 5. The symphonic dimension in Wagner: Harmony and leitmotif ; A note on performance practice ; Loge's narration -- 6. Speech and Sprechgesang: Spoken dialogue between musical movements ; Melodrama ; Sprechgesang -- 7. More music and action: Two operatic deaths ; Structural and decorative action ; Ritualistic action ; Music as commentary on action ; Operatic action and the dimensiion of time.
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