Includes bibliographical references (p. 273-286) and index.
Contents:
From craftsman to operative: the work ethic ideology and American art -- Martyrs and monuments: The Haymarket affair -- The spectacle of labor: the world's Columbian Exposition of 1893 -- The erotics of the laboring body: Douglas Tilden's Mechanics Fountain -- A museological tribute to the work ethic: the Constantin Meunier Exhibition -- The stoker, the ragpicker, and the striker: American genre sculpture in the Progressive Era -- Icons of labor: capitalism, communism, and the politics of sculpture, 1917 to 1935 -- Conclusion: organized labor and the politics of representation: The Samuel Gompers Memorial.
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