The Locator -- [(title = "Sensational ")]

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03789aam a2200493 i 4500
001 22DBC5D872D911EDA0B05B7C49ECA4DB
003 SILO
005 20221203010154
008 190806t20202020ilua     b    001 0 eng  
010    $a 2019032053
020    $a 0252084837
020    $a 9780252084836
020    $a 0252042980
020    $a 9780252042980
035    $a (OCoLC)1113329420
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d OCLCF $d YDX $d IUL $d BDF $d GYG $d CGN $d SILO
042    $a pcc
043    $a n-us---
050 00 $a PN4784.P5 $b F75 2020
082 00 $a 070.4/909034 $2 23
100 1  $a Frisken, Amanda, $e author.
245 10 $a Graphic news : $b how sensational images transformed nineteenth-century journalism / $c Amanda Frisken.
264  1 $a Urbana : $b University of Illinois Press, $c [2020]
300    $a ix, 273 pages : $b illustrations ; $c 24 cm
490 1  $a The history of communication
504    $a Includes bibliographical references and index.
505 00 $t Epilogue: Legacies of Visual Journalism and the Sensational Style. $t "We Simply Illustrate": Sensationalizing Crime in the 1870s "Sporting" News -- $t "Language More Effective than Words": Opium Den Illustrations and Anti-Chinese Violence in the 1880s -- $t "A First-Class Attraction on Any Stage": Dramatizing the Ghost Dance and the Massacre at Wounded Knee -- $t "A Song without Words": Anti-Lynching Imagery as Visual Protest in the 1890s Black Press -- $t "Wanted to Save Her Honor": Sensationalizing the Provocation Defense in the Mid-1890s -- $t Epilogue: Legacies of Visual Journalism and the Sensational Style.
520    $a "'You furnish the pictures and I'll furnish the war.' This famous but apocryphal quote, long attributed to newspaper magnate William Randolph Hearst, encapsulates fears of the lengths to which news companies would go to exploit visual journalism in the late nineteenth century. From 1870 to 1900, newspapers disrupted conventional reporting methods with sensationalized line drawings. A fierce hunger for profits motivated the shift to emotion-driven, visual content. But the new approach, while popular, often targeted, and further marginalized, vulnerable groups. The author examines the ways sensational images of pivotal cultural events--obscenity litigation, anti-Chinese bloodshed, the Ghost Dance, lynching, and domestic violence--changed the public's consumption of the news. Using intersectional analysis, Frisken explores how these newfound visualizations of events during episodes of social and political controversy allowed newspapers and social activists alike to communicate--or challenge--prevailing understandings of racial, class, and gender identities and cultural power"-- $c Provided by publisher.
650  0 $a Journalism, Pictorial $z United States $x History $y 19th century.
650  0 $a Sensationalism in journalism $z United States $x History $y 19th century.
650  7 $a Journalism, Pictorial. $2 fast $0 (OCoLC)fst00984162
650  7 $a Sensationalism in journalism. $2 fast $0 (OCoLC)fst01112548
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
650  7 $a Sensationnalisme dans la presse $z États-Unis $y 19e siècle. $0 (FrPBN)11975999 $0 (FrPBN)11931371 $0 (FrPBN)11975999 $2 ram
650  7 $a Périodiques illustrés $z États-Unis $y 19e siècle. $0 (FrPBN)11975999 $0 (FrPBN)11931371 $0 (FrPBN)11975999 $2 ram
650  7 $a Illustration des périodiques $z États-Unis $y 19e siècle. $0 (FrPBN)11975999 $0 (FrPBN)11931371 $0 (FrPBN)11975999 $2 ram
648  7 $a 1800-1899 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
830  0 $a History of communication
941    $a 2
952    $l PQAX094 $d 20231214030034.0
952    $l PLAX964 $d 20230718100130.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=22DBC5D872D911EDA0B05B7C49ECA4DB
994    $a Z0 $b IOW

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