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05171aam a2200397 i 4500 001 CB530F5E68DD11EA9C5A9E4D97128E48 003 SILO 005 20200318010024 008 190201s2020 nyua b 001 0 eng 010 $a 2019005239 020 $a 0190458038 020 $a 9780190458034 020 $a 019045802X 020 $a 9780190458027 035 $a (OCoLC)1086542185 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d BDX $d ERASA $d UKMGB $d TJC $d YDX $d OCLCQ $d SILO 042 $a pcc 050 00 $a ML3798 $b .Q43 2020 082 00 $a 780.89 $2 23 245 00 $a Queering the field : $b sounding out ethnomusicology / $c edited by Gregory Barz and William Cheng. 264 1 $a New York, NY : $b Oxford University Press, $c [2020] 300 $a xx, 442 pages : $b illustrations ; $c 24 cm 504 $a Includes bibliographical references (pages [397]-428) and index. 505 00 $g Part 8 : $t On serendipity : or, toward a sensual ethnography / $r Peter McMurray. $g Part 2 : Introduction. $t Queering the field : an introduction / $r Gregory Barz -- $g Part 3 : $t Queer silences. $t Sounding out-ethnomusicology : theoretical reflection on queer fieldnotes and performance / $r Zoe C. Sherinian ; $t Uncomfortable positions : expertise and vulnerability in queer postcolonial fieldwork / $r Nicol Hammond ; $t Queer in the field? : what happens when neither "queer" nor "the field" is clearly defined? / $r Gillian M. Rodger -- $g Part 4 : $t Out/in the field. $t "I don't think we are safe around you" : queering fieldwork in ethnomusicology / $r Gregory Barz ; $t Queerness, ambiguity, ethnography / $r Christi-Anne Castro ; $t Outing the methodological no-no : translating queer space to field space / $r Alexander M. Cannon ; $t Queer fieldwork in a queer field under surveillance : musical spaces in Cuba's gay Ambiente / $r Moshe Morad -- $g Part 5 : $t Queerness in action. $t Con/figuring transgender-hijrÄa music and dance through queer ethnomusicological filmmaking / $r Jeff Roy ; $t Queer hip hop or hip-hop queerness? : toward a queer of color music studies / $r Matthew Leslie Santana ; $t Going through the motions : transgender performance in topeng cirebon from North Java, Indonesia / $r Henry Spiller ; $t Fielding the field : belonging, disciplinarity, and queer scholarly lives / $r Tes Slominski -- $g Part 6 : $t Institutions and intersections. $t The lion, the witch, and the closet : heteronormative institutional research and the queering of "traditions" / $r Aileen Dillane and Nic Gareiss ; $t "I'm not gay, I'm black" : assumptions and limitations of the normative queer gaze in a Panamanian dance-drama / $r Heather J. Paudler -- $g Part 7 : $t Who's queer (w)here?. $t Self and/as subject : respectability, abjection, and the alterity of studying what you are / $r Amber R. Clifford-Napoleone ; $t Straight to the heart : heteronormativity, flirtation, and autoethnography at home and away / $r Kathryn Alexander ; $t Coming through loud and queer : ethnomusicological ethics of voice and violence in real and virtual battlegrounds / $r William Cheng -- $g Part 8 : $t Clubs, bars, scenes. $t The queer concerns of nightlife fieldwork / $r Luis-Manuel Garcia ; $t Ethnographic positionality and psychoanalysis : a queer look at sex and race in fieldwork / $r Sarah Hankins ; $t "Man created homophobia, God created transformistas" : saluting the oricha in a Cuban gay bar / $r Cory W. Thorne ; $t On serendipity : or, toward a sensual ethnography / $r Peter McMurray. 520 8 $a Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary. 0The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology. 650 0 $a Ethnomusicology. 650 0 $a Homosexuality and music. 650 0 $a Gender identity in music. 650 7 $a Ethnomusicology. $2 fast $0 (OCoLC)fst00916186 650 7 $a Gender identity in music. $2 fast $0 (OCoLC)fst00939609 650 7 $a Homosexuality and music. $2 fast $0 (OCoLC)fst00959821 700 1 $a Barz, Gregory F., $d 1960- $e editor. 700 1 $a Cheng, William, $d 1985- $e editor. 941 $a 1 952 $l OVUX522 $d 20220317025400.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CB530F5E68DD11EA9C5A9E4D97128E48Initiate Another SILO Locator Search