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05426aam a2200541 i 4500 001 A82566DC38A911ED914067003BECA4DB 003 SILO 005 20220920010102 008 210830t20212021it abdg b 001 0deng d 020 $a 0674278402 020 $a 9780674278400 020 $a 883367150X 020 $a 9788833671505 035 $a (OCoLC)1266221305 040 $a ERASA $b eng $e rda $c ERASA $d OCLCO $d HTV $d OCLCO $d OCLCF $d CDX $d YDX $d UKMGB $d RES $d SILO 043 $a l------ $a l------ 050 4 $a ML3916 $b .S43 2021 245 00 $a Seachanges : $b music in the Mediterranean and Atlantic worlds, 1550-1800 / $c edited by Kate van Orden. 246 3 $a Sea changes 264 1 $a Florence, Italy : $b I Tatti - The Harvard University Center for Italian Renaissance Studies ; $c [2021] 300 $a 319 pages : $b illustrations (some color), maps (some color), charts, facsimiles, music ; $c 24 cm. 490 1 $a I Tatti Research Series ; $v vol. 2 520 8 $a "Seachanges brings together original essays examining human and cultural mobility from a musical perspective. Musicians have always been migratory frontrunners, and musical encounters have always generated nodes of cultural complexity. But hearing past musicking that took place in diaspora and foreign lands requires new methodologies designed to center unsettled lives and ephemeral practices in history. Employing interpretive strategies from musicology, ethnomusicology, historical performance practice, sociolinguistics, and cultural history, the contributors intentionally complicate national and regional accounts of music from 1550 to 1800. Repertorial subjects include Spanish guitar music in Italy, Italian songs in Bohemia, Turkish songs in France, Jewish rituals on Corfu, Jesuit hymns in the Greek archipelago, and Ottoman court music; further chapters recover the experiences of indigenous musicians in colonial Latin America, the diaspora of Neapolitan singers, fictional cartographies of Baroque opera, and the careers of enslaved black musicians in Venice and pre-revolutionary Haiti. They promote a new theoretical vocabulary that coalesces around orality, voice, performers, and performance as matters to foreground in mobility studies. Seachanges illustrates how musical microhistories can address mobility at the macro level of Mediterranean and Atlantic studies while respecting the tempo of individual human lives and musical timeframes"--Page 4 of cover. 500 $a Title from title page includes typo "1880". 504 $a Includes bibliographical references and index. 505 00 $t L'amant statue: staging slavery in pre-revolutionary Haiti / $r Pedro Memelsdorff. $t Part I: Orient Occident: the Mediterranean. Hearing Franco-Ottoman relations circa 1600: the chansons turquesques of Charles Tessier, 1604 / $r Kate van Orden ; $t Latin musical practices in the Greek isles: mapping early modern confessional plurality in the Eastern Mediterranean / $r Théodora Psychoyou ; $t Layers of song: migrations, identities, and synagogue music in Corfu, Greece / $r Francesco Spagnolo ; $t Istanbul: Dimitrie Cantemir, 1673-1723 / $r Jordi Savall -- $t Part II: Into Italy, out of Italy. '...la curiosità del personaggio': 'il Moro' on the mid-century operatic stage / $r Emily Wilbourne ; $t Alla [vera] spagnola: hearing Spain and playing guitar in early modern Italy / $r Cory M. Gavito ; $t Musician, Neapolitan, migrant: origins of the seventeenth-century diaspora of Neapolitan music and musicians / $r Dinko Fabris ; $t Voi che venist'armati: plurilingual singing in seventeenth-century Bohemia / $r Scott Lee Edwards -- $t Part III: The Spanish and French empires. Music and social ordering in colonial Latin America: stasis and mobility, sameness and difference / $r Geoffrey Baker ; $t Encounters in the margins: considering the local in the Lilly Library music manuscripts from sixteenth-century Guatemala / $r Philippe Canguilhem ; $t Gendered geographies in Lully's Proserpine (1680) / $r Olivia Bloechl ; $t L'amant statue: staging slavery in pre-revolutionary Haiti / $r Pedro Memelsdorff. 648 7 $a 1500-1799 $2 fast 650 0 $a Music $z Mediterranean Region $y 16th century $x History and criticism. 650 0 $a Music $z Mediterranean Region $y 17th century $x History and criticism. 650 0 $a Music $z Mediterranean Region $y 18th century $x History and criticism. 650 0 $a Music $z Atlantic Ocean Region $y 16th century $x History and criticism. 650 0 $a Music $z Atlantic Ocean Region $y 17th century $x History and criticism. 650 0 $a Music $z Atlantic Ocean Region $y 18th century $x History and criticism. 650 0 $a Music and globalization $z Atlantic Ocean Region $x History. 650 0 $a Music and globalization $z Mediterranean Region $x History. 650 0 $a Music $x Social aspects. 650 0 $a Music $x History. $z Atlantic Ocean Region $x History. 650 0 $a Music $x History. $z Mediterranean Region $x History. 650 7 $a Music. $2 fast $0 (OCoLC)fst01030269 650 7 $a Music $x Social aspects. $2 fast $0 (OCoLC)fst01030444 651 7 $a Atlantic Ocean Region. $2 fast $0 (OCoLC)fst01723575 651 7 $a Mediterranean Region. $2 fast $0 (OCoLC)fst01239752 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a Van Orden, Kate, $e author. $e author. 830 0 $a I Tatti research series ; $v 2. 941 $a 1 952 $l OVUX522 $d 20231117013041.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A82566DC38A911ED914067003BECA4DBInitiate Another SILO Locator Search