1149 records matched your query       

05203aam a2200337 i 4500
001 468D7F540CD411EEAAE9666853ECA4DB
003 SILO
005 20230617010022
008 211104s2022    caua     b    001 0 eng d
020    $a 9781954081307
020    $a 1954081308
035    $a (OCoLC)1282597081
040    $a YDX $b eng $e rda $c YDX $d BDX $d UKMGB $d OCLCF $d YDX $d BRX $d ERASA $d SILO
050  4 $a NA2500 $b .F85 2022
082 04 $a 720.1 $2 23
100 1  $a Fullaondo Buigas de Dalmau, Maria, $e author.
245 10 $a Colors of rhetoric : $b places of invention in the visual realm / $c Maria Fullaondo.
250    $a First edition.
264  1 $a [Novato, CA] : $b Applied Research and Design Publishing, $c [2022]
300    $a 239 pages : $b illustrations (chiefly colour) ; $c 28 cm
500    $a Place of publication from publisher's website.
504    $a Includes bibliographical references and index.
505 00 $a Machine generated contents note: $t Topothesia. $t Rhetoric as the art of persuasion -- $t Colors or figures of rhetoric -- $t Precedents -- $t Book structure and contents -- $g [101]. $t Understanding the system and its elements -- $t Verbal and iconic language -- $t Classification of Colors of rhetoric -- $t Rhetorical operations and relations -- $t Concept, content, and context -- $g pt. 2 $t Inventory of Colors of rhetoric -- $g [001]. $t Accumulatio -- $g [002]. $t Acyrologia -- $g [003]. $t Adianoeta -- $g [004]. $t Adynaton -- $g [005]. $t Aetiologia -- $g [006]. $t Allegory -- $g [007]. $t Alleotheta -- $g [008]. $t Alliteration -- $g [009]. $t Alloiosis -- $g [010]. $t Amphibologia -- $g [011]. $t AMPLIFICATIO -- $g [012]. $t Anacoluthon -- $g [013]. $t Analogy -- $g [014]. $t Anamnesis -- $g [015]. $t Anantapodoton -- $g [016]. $t Anaphora -- $g [017]. $t Anastrophe -- $g [018]. $t Anatomy -- $g [019]. $t Anoiconometon -- $g [020]. $t Antanaclasis -- $g [021]. $t Antapodosis -- $g [022]. $t Antenantiosis -- $g [023]. $t Anthimeria -- $g [024]. $t Anthypallage -- $g [025]. $t Antilogy -- $g [026]. $t Antimetabole -- $g [027]. $t Antinomy -- $g [028]. $t Antiphrasis -- $g [029]. $t Antiprosopopoeia -- $g [030]. $t Antiptosis -- $g [031]. $t Antithesis -- $g [032]. $t Antonomasia -- $g [033]. $t Apodixis -- $g [034]. $t Apomnemonysis -- $g [035]. $t Appositio -- $g [036]. $t Assonance -- $g [037]. $t Asteismus -- $g [038]. $t Asyndeton -- $g [039]. $t Auxesis -- $g [040]. $t Bomphiologia -- $g [041]. $t Cacemphaton -- $g [042]. $t Cacosyntheton -- $g [043]. $t Chiasmus -- $g [044]. $t Climax -- $g [045]. $t Commoratio -- $g [046]. $t Conduplicatio -- $g [047]. $t Congeries -- $g [048]. $t Correctio -- $g [049]. $t Diallage -- $g [050]. $t Dinumeratio -- $g [051]. $t Disjunctio -- $g [052]. $t Ecphonesis -- $g [053]. $t Ellipsis -- $g [054]. $t ENALLAGE -- $g [055]. $t ENARGIA -- $g [056]. $t Epexegesis -- $g [057]. $t Epicrisis -- $g [058]. $t Epitheton -- $g [059]. $t Erotesis -- $g [060]. $t Exergasia -- $g [061]. $t Expeditio -- $g [062]. $t Fable -- $g [063]. $t Fictio -- $g [064]. $t Horismus -- $g [065]. $t Hypallage -- $g [066]. $t HYPERBATON -- $g [067]. $t Hyperbole -- $g [068]. $t Hysteron proteron, Hysterologia -- $g [069]. $t Image -- $g [070]. $t IRONY -- $g [071]. $t Isocolon -- $g [072]. $t Litotes -- $g [073]. $t Meiosis -- $g [074]. $t METAPHOR -- $g [075]. $t METONYMY -- $g [076]. $t Onomatopoeia -- $g [077]. $t Oxymoron -- $g [078]. $t Palindrome -- $g [079]. $t Paradox -- $g [080]. $t Parenthesis -- $g [081]. $t Paronomasia -- $g [082]. $t Ploce -- $g [083]. $t Polyptoton -- $g [084]. $t Polysyndeton -- $g [085]. $t Pragmatographia -- $g [086]. $t Prosopopoeia -- $g [087]. $t Proverb -- $g [088]. $t PUN -- $g [089]. $t Sarcasmus -- $g [090]. $t Scesis onomaton -- $g [091]. $t Significatio -- $g [092]. $t Simile -- $g [093]. $t Syllepsis -- $g [094]. $t Synaeresis -- $g [095]. $t Syncrisis -- $g [096]. $t Synecdoche -- $g [097]. $t Synoeciosis -- $g [098]. $t Synonymia -- $g [099]. $t Systrophe -- $g [100]. $t Topographia -- $g [101]. $t Topothesia.
520 8  $a Rhetoric provides a repertoire of different methods for original and innovative creation by introducing notions of surprise, the unexpected, and conflict. The myths of "inspiration" and "the brilliant idea" dominate explanations of the genesis of many architectural and creative projects. Nevertheless, perhaps the most original ideas and innovative designs could be explained as transpositions of the classical figures or colours of rhetoric. This possibility brings up several questions. 0Is rhetoric a kind of repertoire of different ways in which one can be "original"? Can the creative process be facilitated and enriched if creators become more aware of the system that they often use intuitively? Do architects make conscious or unconscious use of some of the figures of thought, tropes, and colours when creating and discussing architecture? Can metonymies, hyperbatons, oxymorons, antitheses, and puns, among many other rhetorical figures, be identified in spatial and visual disciplines? Can rhetorical mechanisms be applied to architecture to coordinate social action? 0These are some of the key questions addressed in this book, which revolves around an inventory of rhetorical figures found in architecture and visual arts.
650  0 $a Architecture $x Philosophy.
650  0 $a Art and rhetoric.
650  7 $a Architecture $x Philosophy. $2 fast $0 (OCoLC)fst00813497
650  7 $a Art and rhetoric. $2 fast $0 (OCoLC)fst02015408
941    $a 1
952    $l OVUX522 $d 20231117015344.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=468D7F540CD411EEAAE9666853ECA4DB