Includes filmography (p. [243]-247). Includes bibliographical references (p. [231]-242) and index.
Contents:
Introduction: rare visions -- The frame's the thing: Franco Zeffirelli's Hamlet -- The voyeuristic pleasures of perversion: Orson Welle's Othello -- Framing ambiguity: Kenneth Branagh's Henry V -- Breaking the frame: Akira Kurosawa's Ran -- Vivid negativity: Richard Loncraine's Richard III -- Utopian revisioning of Falstaff's tavern world: Orson Welle's Chimes at midnight and Gus Van Sant's My own private Idaho -- Playing on the rim of the frame: Kenneth Branagh's A midwinter's tale.
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