Beginning -- The acoustic period -- The electric period -- Economic and societal overlay -- The studio is interactive -- The post World War II reconstruction of the recording industry -- Mobile music -- Expanding the palette -- Some key producers -- The sixties and seventies -- Toward the digital age -- The nineties -- Periods of standards and stability -- Deconstructing the studio -- Random access recording technology -- Transformative/disruptive technologies and the value of music -- Post-millennial business models -- The unfinished work.
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