Overview / David Neumeyer -- Music and the ontology of the sound film / James Buhler and David Neumeyer -- Opera and film / Marcia Citron -- Visual representation of film sound as analytical tool / Rick Altman -- Film music from the perspective of cognitive science / Annabel Cohen -- Composing for film / Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin -- Ontological, formal, and critical theories of film music and sound / James Buhler -- Drawing a new narrative for cartoon music / Daniel Goldmark -- Genre theory and the film musical / Cari McDonnell -- The tunes they are a-changing / Jeff Smith -- The compilation soundtrack from the 1960s to the present / Julie Hubbert -- The origins of musical style in video games, 1977-1983 / Neil Lerner -- Classical music, virtual bodies, narrative film / Lawrence Kramer -- Gender, sexuality, and the soundtrack / James Buhler -- Psychoanalysis, apparatus theory, and subjectivity / James Buhler -- Case studies -- introduction / Robynn Stilwell -- Case study 1, The order of sanctity / Mitchell Morris -- Case study 2, Strange recognitions and endless loops / Julie McQuinn -- Transformational theory and the analysis of film music / Scott Murphy -- Listening in film / Marianne Kielian-Gilbert -- Auteurship and agency in television music / Ronald Rodman -- When the music surges / Michael Pisani -- Audio-visual palimpsests / Julie Brown -- Performance practices and music in early cinema outside hollywood / Kathryn Kalinak -- Performing prestige / Nathan Platte.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.