Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex.
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