Between the idyllic and the sublime-some aspects of the reception of Milton in Switzerland, by J.H. Tisch.--Schiller and Shakespeare-some points of contact, by W.F. Mainland.--Germany, German literature and mid-nineteenth century British novelists, by L.H.C. Thomas.--Enoch arden in the German Alps: a comparative study of Tennyson's Enoch Arden and Duboc's Walpra, by M.J. Norst.--The strong enchanter: W.B. Yeats and Nietzsche, by P. Bridgwater.--Gerhart Hauptmann and Hamlet, by H.F. Garten.--Ashley Dukes and the German theatre between the wars, by J.M. Ritchie.--Vernon Watkins and German literature, by H.M. Waidson.--The Chatterton theme in modern German literature, by B. Keith-Smith.--The "comedy of politics": Dürrenmatt's King John, by A. Subiotto.--Tradition and nightmare-some reflections on the postwar novel in England and Germany, by W.E. Yuill.--H.C. Artmann and the English nonsense tradition, by J.C. Alldridge.--Lavater, Mendelssohn, Lichtenberg, by E.J. Engel.--Goethe's Unterhaltungen deutscher Ausgewanderten, by H. Popper.--Mörike and Hölty, by R.B. Farrell.--Herder and Nietzsche, by D. Williams.--"Maria Stuart": Agnes Miegel's originality as a ballad-writer, by G. Rodger.--The "twenties and Berlin", by A. Natan.--A letter from Barlach to Kokoschka, by L. Forster.--German men of letters, by B.E. Schatzky.--Theodor Fontane on Laurence Sterne, by D. Turner.--"Ophelia": variations on a theme, by Ian Hilton.--Gertrud von le Fort and Graham Greene, by J. Foster.--Koeppen: red buses in an enchanted forest, by M.A.L. Brown.--Eliot, Poe and Usinger, by R.W. Last.
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