Printed on the occasion of the 2014 Cheim & Read exhibition [held October 30, 2014-January 10, 2015].
Summary:
"The sculptures in this exhibition all hang from the ceiling. Along with a group of drawings from the 1940s, in which pendulous forms are delineated in black ink, the selection of works traces the theme of suspension throughout Bourgeois's long career. Spanning more than forty-five years -- from the organic Lair forms of the early 1960s and the Janus series of 1968, to the cloth figures of the 1990s, the hanging heads of the 2000s, and the torqued spirals of shining aluminum made in the last years of Bourgeois's life -- they demonstrate the myriad ways in which she approached material, form, and scale. They also affirm the various readings of Bourgeois's work, whether forma, physhological, biographical, or experiential. For Bourgeois, the sculptures' suspension is an expression of the psyche; as she stated: "Horizontality is a desire to give up, to sleep. Verticality is an attempt to escape. Hanging and floating are states of ambivalence." In psychology, ambivalence refers to conflicting but coexisting feelings for the same person, place, or event. The many dualities at play within Bourgeois's oeuvre (organic/geometric; ridig/pliable; male/female) provide this condition with fertile ground. -- Cheim & Read website.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.