Includes bibliographical references (pages 271-290) and index.
Contents:
Introduction: what is non-cinema? -- Digital dreams in Afghanistan -- The Iranian digital underground -- Multitudinous cinema and the diegetic spectator -- Digital entanglement and the blurring of fiction and documentary in China -- Digital darkness in the Philippines -- Digital cinema from France -- The cruel, monstrous extreme of the digital -- A certain compatibility: the British digital wave -- Non-cinema in the heart of cinema -- Globalisation, erasure, poverty: digital non-cinema in Uruguay -- Cinema out of control: these are not films -- Farewell to cinema; hello to Africa.
Summary:
"A film-philosophical study of low budget, handheld digital filmmaking from around the world"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.