Includes bibliographical references (p. [163]-174 and index.
Contents:
Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
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