Includes bibliographical references (p. 252-260) and index. Filmography: p. 261.
Contents:
The family album and history. Interrupted family album : Juan Goytisolo's Coto vedado and Eduardo Mendicutti's Una mala noche, la tiene cualquiera -- The family album and gender : transgenerational succession of historical consciousness in Carlos Saura's Cría cuervos and Julio Llamazares's Escenas de cine mudo -- The family album and the nationalist narrative : recuperating temporal contingency in Antonio Muñoz Molina's El jinete polaco. The family album and the peripheral. Family photographs and reading the family romance differently : Montxo Armendáriz's Secretos del corazón -- A lesbian family album : family album as a portable home and "homelessness" in Marta Balletbò-Coll's Costa Brava (family album). Institutionalization of the family album. The family album and technological development : exhibiting the family album in a museum : Pedro López Canas and Martín Llorens's Déjame que te cuente (Cien ãnos de album familiar). Family frames and immigration. The family album and the promotion of multiculturalism : Icíar Bollain's Flores de otro mundo and Rick Davila's portraits of migrant workers in El ejido -- A press photograph in a family album : bearing witness to the death of an African immigrant in Nieves García Benito's "Cailcedrat" -- Ethics of the family album : maternal touch in Pilar Rodiles's Bidun (undocumented).
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