Title from container. Wide screen (1.78:1) and full screen (1.33:1) Includes a 12-page booklet with an essay by Eric Le Roy.
Contents:
(1958 : 25 min.) -- Paris, a winter's day / Guy Gilles (1962 : 9 min.) -- (1956 : 21 min.) -- Fool's mate / Jacques Rivette (1956 : 27 min.) -- The song of Styrene / Alain Resnais (1957 : 13 min.) -- The Marines / Franc̦ois Reichenbach (1957 : 21 min.) -- All the boys are called Patrick / Jean-Luc Godard (1957 : 21 min.) -- Ô saisons, ô châteux / Agnès Varda (1958 : 21 min.) -- The overworked / Jacques Doniol-Valcroze (1958 : 25 min.) -- A story of water / Jean-Luc Godard and Franc̦ois Truffaut (1958 : 18 min.) -- Charlotte and her boyfriend / Jean-Luc Godard (1958 : 20 min.) -- Love exists / Maurice Pialat (1960 : 21 min.) -- 500 francs / Melvin Van Peebles (1961 : 12 min.) -- Janine / Maurice Pialat (1961 : 17 min.) -- Paris, a winter's day / Guy Gilles (1962 : 9 min.) -- Bonus film: Directing actors by Jean Renoir / Gisèle Braunberger (1968 : 22 min.) The little cafe / Franc̦ois Reichenbach (1963 : 12 min.) -- The goumbé of the young revelers / Jean Rouch (1965 : 28 min.) -- The botanical avatar of Mademoiselle Flora / Jeanne Barbillon (1965 : 14 min.) -- The fifteen year old widows / Jean Rouch (1966 : 25 min.) -- Bonus film: Directing actors by Jean Renoir / Gisèle Braunberger (1968 : 22 min.)
Summary:
"Starting in the mid-1950s, a group of talented young filmmakers presented a radically new vision of French cinema. Dubbed the "Young Turks" by Cahiers du Cinéma co-founder André Bazin, they overturned the studio-based industry of the day, creating films that were modern, political... and funny. The group included François Truffaut, Jean-Luc Godard, Agnès Varda, Éric Rohmer, and more. The short films in this box set represent the dawn of the New Wave -- the earliest works of its most emblematic auteurs. Produced between 1957 and 1965, these shorts are not just stepping stones on the way to the famed New Wave features, but classics that stand on their own. Pierre Braunberger, the visionary producer of these films, was an iconoclast and film lover, and among those who broke with French post-war cinema. Recognizing that he did not have the skills to be a director himself, he supported the New Wave filmmakers, guiding them in their work and financing their early efforts. These films are the first forays of a movement that would revolutionize the world of French film and influence cinema around the world for decades to come." -- Publisher website.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.