The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.