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Author:
Alexander Craft, Renée, 1973-
Title:
When the Devil knocks : the Congo tradition and the politics of blackness in twentieth-century Panama / Renée Alexander Craft.
Publisher:
Ohio State University Press,
Copyright Date:
2015
Description:
240 pages : illustrations ; 22 cm
Subject:
Congos (Panamanian people)--Rites and ceremonies.
Congos (Panamanian people)--Ethnic identity.
Blacks--Panama--Rites and ceremonies.
Blacks--Panama--Ethnic identity.
Carnival--Social aspects--Panama.
Portobelo (Panama)--Social life and customs.
LITERARY CRITICISM / Caribbean & Latin American.
Notes:
Includes bibliographical references (pages 212-226) and index.
Contents:
Playing (with the) Devil -- Between the Devil and the deep blue sea -- "Una raza, dos etnias" : the politics of be(com)ing "Afropanameño" -- Christ, the Devil, and the terrain of blackness -- Baptizing the Devil : circum-local transmission and translation of culture -- "¡Los gringos vienen!" : "The gringos are coming! : race, gender, and tourism -- Dancing with the Devil at the crossroads : performance ethnography and staging thresholds of difference -- Dialogical performance, critical ethnography, and the "digital present".
Summary:
"Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renée Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama-the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism"-- Provided by publisher.
Series:
Black performance and cultural criticism
ISBN:
0814293751 (cd)
9780814293751 (cd)
0814212700 (hardback)
9780814212707 (hardback)
OCLC:
(OCoLC)893896009
LCCN:
2014027043
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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