Published to accompany an exhibition of the same name held at Tate Britain, September 12, 2017-January 21, 2018; 21er Haus, Museum of Contemporary Art, Vienna, March 7-July 29, 2018; National Gallery of Art, Washington, September 16, 2018-January 13, 2019; Saint Louis Art Museum, Missouri, March 17-June 9, 2019. Includes bibliographical references (pages 219-222) and index. "Rachel Whiteread" : September 12, 2017-January 21, 2018, Tate Britain, London, England, United Kingdom. "Rachel Whiteread" : March 7-July 29, 2018, 21er Haus, Museum of Contemporary Art, Vienna, Austria. "Rachel Whiteread" : September 16, 2018-January 13, 2019, National Gallery of Art, Washington, District of Columbia, United States. "Rachel Whiteread" : March 17-June 9, 2019, Saint Louis Art Museum, Saint Louis, Missouri, United States.
Contents:
The Dream Site / Brian Dillon. Vies Trouvées (Found Lives) / Molly Donovan -- House / Rachel Whiteread and James Lingwood in conversation with Ann Gallagher -- Art as Memorial / Harald Krejci -- Sense and Sensibility / Lynn Zelevansky -- Eyes Cast / Briony Fer -- The Power of Things / Linsey Young -- The Dream Site / Brian Dillon.
Summary:
"Rachel Whiteread (British, born 1963) creates uncanny, quietly powerful works that have redefined the possibilities for sculpture in the late twentieth and early twenty-first centuries. Using industrial materials (plaster, concrete, resin, rubber and metal), she has cast the interiors and undersides of objects and architectural spaces for over three decades. Exploring every scale, Whiteread stakes out new spaces between positive and negative, public and private, and manufactured and handmade with concision, intelligence and beauty. This book, which documents the first comprehensive survey of Whiteread's work, presents the breadth of her practice, from sculpture to drawing and photography, bringing together her earliest objects with new works that have not been seen before...This volume features new scholarship on Whiteread, tracing the development of her works from the late 1980s to 2017. It enriches our understanding of an artist who has marked the past and moved it forward, detailing the way the everyday continues to change in our own time." --publisher's description, lower cover.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.